{"title":"New Releases","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eHere is your premier source for the latest in vinyl music! You'll find an ever-evolving selection of new albums, EPs, and singles, all meticulously pressed for optimal sound quality. Our listings are updated regularly, so be sure to visit often to catch the freshest releases and discover new favourites. With new music being added frequently, there’s always something exciting to explore. Dive in and stay on the cutting edge of the music scene with our latest arrivals.\u003c\/p\u003e","products":[{"product_id":"when_we_all_fall_asleep_where_do_we_go_","title":"When We All Fall Asleep Where Do We Go?","description":"\u003cp\u003e\"When We All Fall Asleep, Where Do We Go?\" is the debut studio album by American singer-songwriter Billie Eilish, released in March 2019. The album features a blend of pop, electronic, and alternative music, showcasing Eilish's unique sound characterized by whispered vocals, intricate production, and emotionally charged lyrics. The songs explore themes of anxiety, identity, and the complexities of growing up in a digital age. \u003c\/p\u003e\u003cp\u003eThe album's lead single, \"Bad Guy,\" became a massive hit, propelling Eilish into mainstream success and cementing her status as a leading figure in contemporary music. Throughout the album, Eilish collaborates with her brother Finneas O'Connell, who co-writes and produces many tracks, contributing to the project’s distinct sound. With its boundary-pushing artistry and raw introspection, \"When We All Fall Asleep, Where Do We Go?\" resonated with a wide audience and earned critical acclaim, ultimately receiving several awards, including Grammy Awards for Album of the Year and Best Pop Vocal Album.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ Album","offer_id":51573536293178,"sku":"34302","price":38.99,"currency_code":"CAD","in_stock":true},{"title":"CD \/ Album - Deluxe Edition","offer_id":52697747947834,"sku":"36485","price":18.99,"currency_code":"CAD","in_stock":true},{"title":"CD \/ Album","offer_id":52697748046138,"sku":"36486","price":16.99,"currency_code":"CAD","in_stock":false},{"title":"Vinyl \/ Album - Ltd. Opaque Baby Blue Vinyl","offer_id":53532687008058,"sku":"38093","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2025-07-02_at_6.05.50_PM_3fc89f3d-6497-47cd-83ff-106dab57f5cb.png?v=1782892981"},{"product_id":"a_decade_of_dio_1983_1993","title":"A Decade of Dio: 1983-1993","description":"\u003cp\u003eA Decade of Dio: 1983–1993 is a 2016 box set that compiles Dio’s first six studio albums, tracing Ronnie James Dio’s solo career from its explosive launch with Holy Diver through to the darker, heavier Strange Highways. Presented in a 6‑CD (and later splatter‑vinyl) package with new remastering and updated Marc Sasso artwork, it includes Holy Diver (1983), The Last in Line (1984), Sacred Heart (1985), Dream Evil (1987), Lock Up the Wolves (1990), and Strange Highways (1993). The set is designed as both an overview for newcomers and a collector‑oriented upgrade, putting a full decade of material into one unified, visually striking volume.\u003c\/p\u003e\u003cp\u003eMusically, the box follows Dio from the classic, fantasy‑metal anthems of Holy Diver and The Last in Line—home to staples like “Holy Diver,” “Rainbow in the Dark,” “We Rock,” and “The Last in Line”—through the more polished yet still punchy Sacred Heart and Dream Evil, and into the grittier, heavier turn of Lock Up the Wolves and Strange Highways. Reviews emphasize how the remastering sharpens the sound of the later albums in particular, helping highlight underrated tracks such as “All the Fools Sailed Away,” “Hey Angel,” “Jesus, Mary \u0026amp; The Holy Ghost,” and the crushing title cut “Strange Highways.” For many listeners and critics, A Decade of Dio underlines just how consistently strong Dio’s first ten years of solo work were, cementing this run as one of heavy metal’s definitive catalogues.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Boxset - 6 CD","offer_id":53318116507962,"sku":"37648","price":76.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-04-14_at_1.10.43_PM.jpeg?v=1785691364"},{"product_id":"whisky_scented_kisses","title":"Whisky Scented Kisses","description":"\u003cp\u003eDaphne Roubini \u0026amp; Black Gardenia’s Whisky Scented Kisses is a nine‑track vocal jazz album released in April 2026 on the Cellar Live label, and it plays like a late‑night set in a small, smoke‑tinged club. Drawing heavily on the phrasing and harmony of 1940s–50s vocal jazz, the record blends six originals with three carefully chosen songs from the past, all carried by Roubini’s intimate, unhurried delivery and the ensemble’s understated swing. Recorded at Vancouver’s Warehouse Studio with a sextet of top local players on guitar, bass, horns, and violin, the sound is warm and cinematic: gently pulsing rhythm guitar, muted trumpet and flugelhorn, and softly sighing sax lines that wrap around the voice rather than compete with it.\u003c\/p\u003e\u003cp\u003eLyrically and emotionally, the album orbits around love in its many shades—longing, risk, quiet devotion, and the bittersweet knowledge that nothing lasts forever. Originals like “Minor Mood,” “Am I Crazy?,” “Whisky Scented Kisses,” “How Do I Know?,” and “Today” present small, carefully observed scenes of desire and doubt, while “You Leave Me Breathless” and “This Year’s Kisses” tip the hat to Billie Holiday and Nancy Wilson without ever lapsing into mere imitation. A particular highlight is “There’s Always Tomorrow,” a previously unpublished 1950 song by Mimi Marlowe Jaffe transcribed from an old private recording; its quietly hopeful lyric about carrying on after disappointment fits seamlessly into the album’s gently melancholic, ultimately resilient mood. Critics have described the record as a “strange, seductive reinvention of jazz,” classic in its bones but subtly experimental in structure and atmosphere, rewarding close, late‑night listening with its mix of vintage elegance and modern emotional nuance.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53414824214842,"sku":"37895","price":17.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-05-06_at_2.12.43_PM_8c822765-607e-435b-979d-b74ee5be147d.jpeg?v=1780473775"},{"product_id":"the_phantom_void","title":"The Phantom Void","description":"\u003cp\u003eLong Distance Calling’s The Phantom Void is a fully instrumental studio album released in April 2026 that the band themselves describe as the “shortest, hardest and strongest” of their career. At seven tracks and a tight runtime, it trades the more sprawling journeys of earlier records for something leaner and more immediate, while still delivering the cinematic, post‑rock\/post‑metal soundscapes that have defined the German quartet for two decades. Massive, layered guitars, weighty bass, precise drumming, and carefully placed electronics combine into pieces that feel like movements in an unspoken film score, with clear dynamic arcs from hushed ambience to crushing climaxes.\u003c\/p\u003e\u003cp\u003eConceptually, the album is built around a descent into a dark dream world, using each instrumental track as a “chapter” in a psychological thriller‑like narrative. Opener “Mare” eases the listener into this shadowy inner realm with ominous textures and a spoken‑word countdown, before “The Spiral” locks into a hypnotic groove that tightens steadily, like being pulled into the album’s core. Mid‑album pieces such as “The Secret House” and “Nocturnus\/Nocturnal” heighten the sense of anxiety and unease through pounding riffs and surging crescendos, while the title track “Phantom Void” escalates into some of the heaviest, most chaotic music the band has recorded. Closer “Sinister Companion” functions as the climactic realization that the “monster” is internal, ending on a disorienting, fever‑dream note that critics have praised as both unsettling and emotionally cathartic.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53414852198714,"sku":"37896","price":21.99,"currency_code":"CAD","in_stock":true},{"title":"Vinyl \/ Album","offer_id":53704752988474,"sku":"39068","price":32.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-05-06_at_2.18.12_PM.jpeg?v=1783551825"},{"product_id":"live_revelator","title":"Live Revelator","description":"\u003cp\u003eLive Revelator is a short, four‑song live release from Tedeschi Trucks Band, originally issued as a limited‑edition CD in 2012 and repressed on colored vinyl in 2026. It was conceived as a companion to their Grammy‑winning debut studio album Revelator and as an early preview of the full double live set Everybody’s Talkin’, capturing the 11‑piece band onstage in the period when they were first defining their sound together. The performances stretch familiar songs out with extended solos, horn arrangements, and vocal interplay, framing the group less as a studio project and more as a powerhouse road band steeped in Southern rock, soul, blues, and jam‑band improvisation.\u003c\/p\u003e\u003cp\u003eAcross the EP’s four tracks (pulled from Revelator and early live repertoire), Susan Tedeschi’s gritty, gospel‑inflected vocals and Derek Trucks’s fluid slide guitar sit at the center, supported by a full rhythm section, keys, and a three‑piece horn line. Songs are given room to breathe: verses and choruses open out into instrumental sections where Trucks, Kofi Burbridge, and the horns trade statements, and the grooves lock into a deep, slow‑burn pocket that’s very different from the tighter studio versions. The new vinyl edition, timed for Record Store Day 2026 and pressed on “fire orange with black swirl” and other variants, is aimed squarely at collectors and fans who want a tangible snapshot of the band’s early live chemistry—a concentrated taste of the “meaty” concert energy that would soon make them one of the premier touring acts in contemporary roots music.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ Album - Fire Orange With Black Swirl Vinyl","offer_id":53439236440378,"sku":"37959","price":42.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-05-11_at_12.09.01_PM_5180de48-ee87-451a-ba0a-8a1f64cd4996.jpeg?v=1780473702"},{"product_id":"king_of_the_mambo_the_singles_collection_1949_62","title":"King Of The Mambo: The Singles Collection 1949-62","description":"\u003cp\u003ePerez Prado’s King Of The Mambo: The Singles Collection 1949–62 is a three‑CD anthology that traces the arc of the Cuban bandleader’s rise from Havana and Mexico City bandrooms to global pop phenomenon. Spanning 83 tracks, it gathers early Mexican‑label sides and the bulk of the A‑ and B‑sides he released for RCA in the United States between 1949 and 1962, effectively mapping how he developed and then refined the big‑band mambo that earned him his “King of the Mambo” title. Within this frame you hear the transition from raw, percussion‑heavy danzón‑mambo to the slicker, brass‑driven arrangements that stormed international charts.\u003c\/p\u003e\u003cp\u003eThe set naturally includes Prado’s two enormous crossover smashes—“Cherry Pink and Apple Blossom White” (a number‑one hit on both sides of the Atlantic in 1955) and “Patricia” (another US and UK chart‑topper in 1958)—alongside other hits like “Guaglione,” “Paris,” and “Patricia Twist.” Around them sit a feast of lesser‑known sides: original mambos such as “Macome,” “Mangolele,” “Que Rico el Mambo,” and “Mambo del Taconazo,” plus mambo treatments of popular standards that show how Prado could take almost any tune and recast it as a tightly arranged, horn‑punctuated dance burner. The cumulative effect is of a continuous, highly infectious Latin dance party, with driving percussion, sharp unison brass lines, and Prado’s trademark grunts and band shouts punctuating the grooves.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ 3CD","offer_id":53439285920058,"sku":"37965","price":33.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-05-11_at_12.29.20_PM.jpeg?v=1778517142"},{"product_id":"good_mourning","title":"Good Mourning","description":"\u003cp\u003eAlkaline Trio’s Good Mourning is a 2003 album that captures the band at one of their darkest and most intense points. It was their first studio album with drummer Derek Grant, and it sharpens their blend of punk rock, pop-punk hooks, gothic atmosphere, and bleakly romantic lyricism. Compared with From Here to Infirmary, it feels rawer and heavier, with Matt Skiba’s strained, raspy vocals adding to the record’s damaged, nocturnal mood.\u003c\/p\u003e\u003cp\u003eSongs like “This Could Be Love,” “We’ve Had Enough,” “All on Black,” “Continental,” “Emma,” and “Blue in the Face” mix catchy melodies with images of death, heartbreak, obsession, addiction, and emotional wreckage. Dan Andriano’s songs bring warmth and vulnerability, while Skiba’s writing leans into menace, gallows humor, and melodrama. Good Mourning remains one of Alkaline Trio’s defining records: polished enough to be immediate, but still grimy, haunted, and emotionally volatile.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53439768887610,"sku":"37985","price":17.99,"currency_code":"CAD","in_stock":true},{"title":"Vinyl \/ Album","offer_id":53439768953146,"sku":"37986","price":35.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-05-11_at_3.38.23_PM.jpeg?v=1778528464"},{"product_id":"dynasty","title":"Dynasty","description":"\u003cp\u003eDynasty (subtitled Vol. 2) is a contemporary jazz album released on April 3, 2026 via Cellar Live, credited to Fuller Sound — the duo of sisters Tia Fuller and Shamie Fuller-Royston. The name Fuller Sound carries deep personal resonance: it was the name of the family ensemble founded by their parents, vocalist and mother Elthopia Fuller and bassist and father Fred Fuller, a working band built around shared repertoire and nightly music-making long before either sister launched her individual career. By recording under the Fuller Sound banner for the second time, Tia and Shamie are not simply reviving a name but formalizing a living musical lineage — one rooted in the specific vocabulary of songs, habits, and sensibility their family created together over decades.\u003c\/p\u003e\u003cp\u003eRecorded as an intimate duo at Klavierhaus in New York on March 21, 2025, the album pairs Tia's alto saxophone and voice with Shamie's piano across ten tracks, running just over 43 minutes. The stripped-down format draws from pieces the family once performed together alongside new compositions written in response to those formative years, including \"Windsoar,\" \"Momma Said,\" \"Ode to Bach,\" \"Summer in Central Park,\" and a closing postlude, \"Descend to Barbados.\" One of the album's most significant gestures is Tia's decision to sing — a new dimension in her recorded work, undertaken as a deliberate tribute to her mother, who passed away in 2022. Produced by Tia herself and executive produced by Cory Weeds, Dynasty is described not as a retrospective or memorial but as a present-tense document: music shaped by family bonds, shared memory, and the ongoing joy of making music together.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53460010959162,"sku":"38011","price":17.99,"currency_code":"CAD","in_stock":true},{"title":"Vinyl \/ Album - Black Vinyl","offer_id":53646754054458,"sku":"38651","price":40.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-05-15_at_3.27.47_PM.jpeg?v=1782344790"},{"product_id":"lost_cause_lover_fool","title":"Lost Cause Lover Fool","description":"\u003cp\u003eLost Cause Lover Fool is the seventh studio album by Los Angeles indie folk duo The Milk Carton Kids — Kenneth Pattengale and Joey Ryan — released on April 24, 2026 via Far Cry Records in partnership with Thirty Tigers. It follows Only See the Moon (2023) and was produced and mixed by Pattengale, engineered by Pattengale and Jason Cupp, and mastered by Kim Rosen. The album is almost entirely a two-person affair: Pattengale and Ryan perform all the music themselves, with the sole outside contribution being Dennis Crouch on upright bass on \"Sad Song\" — one of two covers on the record, the other being Maya Elizabeth de Vitry's \"Ribbon.\" The remaining seven tracks are original compositions. Pattengale has described the album's conceptual center as transformation through intimacy: \"Each song takes a single moment, sometimes examined with microscopic closeness and sometimes viewed from a great distance, and lets it expand until it becomes an entire world. By enlarging small feelings until they're inhabitable, the record looks for eternity not in the sweeping or monumental, but in the intimate specifics that usually pass too quickly to notice.\"\u003c\/p\u003e\u003cp\u003eAcross its nine tracks and just under 35 minutes, the album is a study in restraint and precision — acoustic guitars, close harmonies, and an unhurried pace that Louder Than War described as \"ravishingly pretty little vignettes performed with poise and grace and the minimum of pretence.\" The opening track \"Blue Water\" introduces a banjo for the first time in the band's sound, arriving slow and sunny, while the title track is identified by several reviewers as the album's high point, combining layered harmonies with some of the duo's strongest and most evolved lyrics. \"Ribbon\" has been singled out as \"hauntingly majestic,\" and the closer \"Young Love\" provides the album's most kinetic moment — a faster-paced, heavily nostalgic meditation on love lost. For Folk's Sake called it \"one of their most reflective works to date: a tender, poignant, nostalgic album that captures the spirit of how memories can impact the present,\" while Americana UK praised the exquisite harmonies and the way the music \"tumbles along, sounding effortless and deceptively simple\" — a description that captures, as well as any, what The Milk Carton Kids have spent fifteen years perfecting.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53524640760122,"sku":"38045","price":19.99,"currency_code":"CAD","in_stock":true},{"title":"Vinyl \/ Album - Black Vinyl","offer_id":53524640792890,"sku":"38046","price":30.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-05-27_at_1.49.43_PM_34a0e351-e631-4113-9a8b-20d58dee2c9a.jpeg?v=1782288144"},{"product_id":"presque_rien_no1_societe_ii","title":"Presque Rien No.1 \/ Société II","description":"\u003cp\u003ePresque Rien No. 1 \/ Société II is an album by French composer and electroacoustic pioneer Luc Ferrari, originally released in 1970 on Deutsche Grammophon as part of the label's celebrated Avant-Garde LP series, and reissued on May 1, 2026 as the inaugural release of Deutsche Grammophon's new vinyl Avantgarde series — a limited, numbered pressing on 180-gram vinyl, mastered and cut from the original analogue quarter-inch two-track master tapes by Rainer Maillard and Sidney Claire Meyer at the Emil Berliner Studios, with new liner notes by Bradford Bailey. The album pairs two radically different works that together illuminate the remarkable breadth of Ferrari's creative approach: the 21-minute Presque Rien No. 1 \"Lever du Jour au Bord de la Mer\" (1967–1970) and the 27-minute Société II \"Et si le Piano était un Corps de Femme\" (1967), the latter performed by pianist Gérard Frémy, percussionists Gaston Sylvestre, Jean-Pierre Drouet, and Sylvio Gualda, and the Ensemble Instrumental de Musique Contemporaine de Paris conducted by Konstantin Simonovitch.\u003c\/p\u003e\u003cp\u003ePresque Rien No. 1 — \"Almost Nothing\" — is now recognized as one of the founding documents of acoustic ecology, field recording art, and sound art more broadly. Begun during the summer of 1967 in a Croatian fishing village, Ferrari captured a full day's worth of environmental sounds at dawn by the sea and, through minimal editing rather than electronic transformation, distilled them into a 21-minute piece that presents unmanipulated ambient sound as complete musical material. Wikipedia notes it has been understood as an affirmation of John Cage's proposition that music is always already happening around us — a landmark of sonic minimalism that influenced generations of experimental artists. Société II, by contrast, is a work of charged political theatre, composed in the ferment preceding the May 1968 upheavals: for piano, three percussionists, and 16 instruments, it stages what Ferrari described as a \"caricature of a macho society,\" in which the four soloists vie for dominance over the piano's body in a feminist allegory that Soundohm describes as making \"clear nods to Ferrari's deep sympathies with the idiom of free jazz\" while remaining \"one of the most remarkable compositions of his career.\"\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ Album","offer_id":53524787003706,"sku":"38053","price":58.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-05-27_at_2.06.37_PM_df5e0445-cc9a-4c08-9034-9a87a2a094c4.jpeg?v=1782892929"},{"product_id":"karma_and_effect","title":"Karma And Effect","description":"\u003cp\u003eSeether’s Karma and Effect is a dark, heavy post-grunge album that captures the band’s bitter and emotionally raw sound at full force. Built around thick distorted guitars, pounding drums, and Shaun Morgan’s rough, anguished vocals, the album feels tense and brooding from the opening track “Because of Me.” Songs like “Remedy,” “Truth,” and “Burrito” combine aggressive riffs with memorable choruses, giving the record a balance of radio-friendly hard rock and bleak emotional intensity.\u003c\/p\u003e\u003cp\u003eLyrically, the album is filled with guilt, resentment, self-loathing, damaged relationships, and emotional exhaustion. Slower songs like “The Gift” and “Plastic Man” reveal a more vulnerable side of the band, while heavier tracks such as “Given” and “I’m the One” lean into anger and confrontation. Overall, Karma and Effect stands out as one of Seether’s defining mid-2000s releases, offering a mix of aggression, melody, and cathartic darkness.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53525327380794,"sku":"38065","price":15.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-05-27_at_3.04.23_PM_4700a566-b7ee-40a1-aa4c-027f6057f957.jpeg?v=1782288126"},{"product_id":"victory_garden","title":"Victory Garden","description":"\u003cp\u003eVictory Garden is the sixth studio album by Southern California alternative rock band Young the Giant, released on May 1, 2026, via Fearless Records — the band's debut for the label. The record was produced by Brendan O'Brien (known for his work with Pearl Jam, Bruce Springsteen, and Soundgarden) at Henson Recording Studios in Hollywood, and was written largely during creative retreats in Idyllwild and Joshua Tree. Notably, the album marked a deliberate return to full collaborative band writing and recording — the group working together in one room rather than through more fragmented, individual processes. As the band described it, per Melodic Magazine, the album is \"an ode to radical empathy\" — shaped by viewing a complicated world through the eyes of young children, with empathy itself framed as an act of resistance in uncertain times.\u003c\/p\u003e\u003cp\u003eMusically, Victory Garden is a warm, anthemic record that blends the polished alternative rock Young the Giant built their reputation on with a more organic, live-in-the-room energy. Across its ten tracks, the album moves between expansive, festival-ready choruses and quieter, introspective moments without ever feeling disjointed. Crucial Rhythm draws comparisons to the emotional immediacy of their 2014 album Mind Over Matter, noting that Victory Garden carries similar instincts while reflecting the maturity the band has developed since. Standout tracks include the opening \"Evergreen,\" which establishes the album's hopeful emotional tone, the anthemic lead single \"Different Kind of Love,\" the lyrically vivid \"Bitter Fruit,\" and the haunting closer \"The Garden.\" Critics note that the album rewards patient listening — some tracks favour atmosphere over immediate impact, but reveal their full emotional weight across repeated plays. Hear2Zen describes it as \"a confident, refined project\" that demonstrates the band \"trusting its instincts and returning to its roots.\"\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53532748316986,"sku":"38099","price":20.99,"currency_code":"CAD","in_stock":true},{"title":"Vinyl \/ Album - Indie Excl. Translucent Lemonade Vinyl","offer_id":53532748349754,"sku":"38100","price":38.99,"currency_code":"CAD","in_stock":false},{"title":"Vinyl \/ Album","offer_id":53532748415290,"sku":"38101","price":34.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-05-28_at_3.02.31_PM_6082a601-0128-41e9-b6b4-712eec6eb4cd.jpeg?v=1782892977"},{"product_id":"the_charmer","title":"The Charmer","description":"\u003cp\u003eThe Charmer is the eighth studio album by Fort Worth, Texas alt-rock band Toadies, released on May 1, 2026, via Austin-based nonprofit label Spaceflight Records — their first full-length studio album in nearly a decade. The record carries an additional layer of historical significance as one of the final projects recorded by the late, legendary engineer Steve Albini before his death in May 2024, tracked at his Electrical Audio studio in Chicago using his famously uncompromising analog approach. As frontman Vaden Todd Lewis told Fort Worth Weekly, \"not a single computer was used in any step of the way until mastering\" — the entire album was played and recorded live in the studio, with no digital overdubs, capturing the band's raw, in-the-room energy on tape. The lineup remains the classic foursome of Lewis on vocals and guitar, Clark Vogeler on guitar, Doni Blair on bass, and Mark Reznicek on drums, most of whom wrote the bulk of the material during the COVID lockdown.\u003c\/p\u003e\u003cp\u003eMusically, The Charmer is a wide-ranging record that roots itself firmly in the Toadies' signature sound — distorted, motorcycle-engine guitars, punishing rhythms, anxious melodic hooks, and an underlying sense of menace — while branching out into new territory. New Noise Magazine notes leanings toward classic rock on tracks like \"Come to Life,\" \"Damage,\" and \"Closer To You,\" folk and country-rock inflections on \"Get Out of Your Head\" and \"Call Your Name,\" and psychedelic rock textures on \"I Walk the Line.\" Lyrically, Lewis ventures into new emotional territory as well, with the album's thirteen tracks addressing mental health, anxiety, depression, and personal struggle with uncommon directness and vulnerability. The title track's central conceit — \"The Charmer\" as the internal voice that tells you you're no good — gives the record its thematic spine, and the album as a whole is framed as a document of surviving and transcending that darkness. Smells Like Infinite Sadness calls it \"a fitting sonic epitaph to an iconic producer\" and a record that \"doesn't just revisit the Toadies' sound — it sharpens it.\"\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53533500965178,"sku":"38112","price":21.99,"currency_code":"CAD","in_stock":true},{"title":"Vinyl \/ Album - Coke Bottle Clear Vinyl","offer_id":53533500997946,"sku":"38113","price":50.99,"currency_code":"CAD","in_stock":false},{"title":"Vinyl \/ Album","offer_id":53629558456634,"sku":"38524","price":50.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-05-28_at_8.26.27_PM.jpeg?v=1784707339"},{"product_id":"time","title":"Time","description":"\u003cp\u003eTime is the latest album from legendary blues musician Taj Mahal, released on May 1, 2026, via Thirty Tigers\/Resonatin' Records, and billed as his 60th album. The record carries a remarkable backstory: the bulk of it was recorded in 2010 with the Phantom Blues Band — Mahal's ensemble of 30 years, featuring guitarist Johnny Lee Schell, drummer Tony Braunagel, bassist Larry Fulcher, keyboardists Jon Cleary and Mick Weaver, and a horn section of Joe Sublett on tenor saxophone and Lester Lovitt on trumpet — but sat unreleased for 16 years before finally finding its way into the world. The album's centerpiece and title track is even more extraordinary: a never-before-heard composition by the late Bill Withers, originally recorded only as a demo and nearly lost to history, brought to Mahal by producer Steve Berkowitz with the blessing of Withers' estate. As described by Acoustic Sounds, the song \"takes a consoling long view, promising that 'time will see you through,'\" and served as the emotional anchor around which the album was ultimately shaped.\u003c\/p\u003e\u003cp\u003eAcross its 10 tracks and just under 40 minutes, Time is a characteristically wide-ranging affair that moves freely between Delta blues, R\u0026amp;B, soul, reggae, New Orleans grooves, and Latin rhythms — the signature blend that has defined Mahal's career since the 1960s. The Arts Fuse notes that \"the anchor is Mahal's voice,\" describing his singing as carrying \"the force of an unvarnished folk music instrument\" — one that infuses honesty and resilience into every style he touches. Standout moments include the upbeat opener \"Life of Love,\" a playful cover of the vintage R\u0026amp;B track \"Crazy About a Jukebox,\" a reggae-soaked reading of \"Talkin' Blues\" featuring guest vocals from Ziggy Marley, a horn-drenched take on the Otis Redding song \"Sweet Lorene,\" and the haunting blues ballad \"Ask Me 'Bout Nothing (But the Blues).\" Singer Ruthie Foster's liner notes capture the album's spirit best: \"Taj Mahal's fearless, open-hearted spirit still shadows the whole thing with that genre-hopping joy. He leads you down the road with a history lesson, and the Phantoms carry it with honor to the Griot.\"\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ Album","offer_id":53536305676602,"sku":"38118","price":30.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-05-29_at_12.09.33_PM_a0639122-765a-4b2b-9a3f-96cb7c5ef0fd.jpeg?v=1782892971"},{"product_id":"you_could_have_it_so_much_better_remastered_edition","title":"You Could Have It So Much Better - Remastered Edition","description":"\u003cp\u003eYou Could Have It So Much Better — 20th Anniversary Remastered Edition is Domino Records' celebration of the 20th anniversary of Franz Ferdinand's sophomore album, originally released on September 26, 2005. The remaster was released on October 3, 2025, in digital form and on October 13, 2025, on a limited-edition orange vinyl LP with printed inner sleeves and a digital download code. The remaster was engineered by Claudius Mittendorfer, and listeners who have compared it closely to the original have noted, as one Reddit user described, \"a more expansive soundstage and a richer tone — elements that were once hidden in the mix are now clearly audible, and the bass has a noticeable depth.\" The 13-track remaster presents the album in the same sequence as the original, running through all of its classic songs in newly cleaned and expanded audio.\u003c\/p\u003e\u003cp\u003eThe original You Could Have It So Much Better had been a remarkable achievement for a second album — arriving in the wake of the band's enormously successful self-titled debut and defying any notion of a sophomore slump. Recorded by the Glasgow quartet of Alex Kapranos, Nick McCarthy, Bob Hardy, and Paul Thomson and produced by Rich Costey, the album deepened and sharpened the angular, danceable post-punk sound that had made their debut so distinctive, drawing on new wave, funk, and art-rock influences to produce a record that felt simultaneously tighter and more adventurous. Standout tracks include the irresistible lead single \"Do You Want To,\" the brooding opener \"The Fallen,\" the tender \"Eleanor Put Your Boots On,\" and the angular, choppy \"Walk Away,\" with deeper cuts like \"I'm Your Villain\" and \"Outsiders\" rewarding repeated listening. As Rough Trade summarizes it: \"this is pop music at its finest, drawing you in but challenging you at the same time.\"\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ Album","offer_id":53536409846074,"sku":"38127","price":46.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-05-29_at_12.45.32_PM_6b7a2e08-357e-42d0-8736-7e6b5acc15c4.jpeg?v=1782288252"},{"product_id":"one-1","title":"One","description":"\u003cp\u003eOne is the fifteenth studio album by Atlanta hard rock band Sevendust, released on May 1, 2026, via Napalm Records. Once again produced by Michael \"Elvis\" Baskette — who has become a defining sonic collaborator for the band, as well as for acts like Alter Bridge and Mammoth WVH — the album features the classic Sevendust lineup of vocalist Lajon Witherspoon, lead guitarist Clint Lowery, rhythm guitarist John Connolly, bassist Vince Hornsby, and drummer Morgan Rose. Spanning 10 tracks, the record was supported by a spring North American tour alongside Atreyu, Fire From the Gods, and American Adrenaline, with the band also appearing at major festival dates. As Loudwire notes, the title was chosen deliberately — both the driving opener and the dreamy closer \"Misdirection\" were singled out by the band as tracks that define the album's arc, taking listeners on a complete emotional journey.\u003c\/p\u003e\u003cp\u003eCritically, One has been received as one of the stronger entries in the band's deep catalog. KNAC.COM describes it as \"what mature metal sounds like — confident, dynamic, emotionally grounded, and not afraid to be real,\" with themes of hope, redemption, and resilience running as a strong undercurrent throughout. The album opens with the punchy, groove-driven title track, moves through the already-charting singles \"Unbreakable,\" \"Is This the Real You,\" and \"Threshold,\" builds to the emotional centrepiece \"We Won,\" and closes with the victory-cry atmosphere of \"Misdirection.\" Infrared Magazine praises the band for never chasing trends and instead \"doubling down on everything that made them great and sharpening it into something even more focused and powerful\" — a fair summation of a band three decades into their career still operating near the top of their game.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53536434094394,"sku":"38129","price":14.99,"currency_code":"CAD","in_stock":true},{"title":"Vinyl \/ Album","offer_id":53536434127162,"sku":"38130","price":34.99,"currency_code":"CAD","in_stock":true},{"title":"Vinyl \/ Album - Indie Excl. Cristallo Vinyl","offer_id":53536434159930,"sku":"38131","price":37.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-05-29_at_12.55.25_PM.jpeg?v=1780073889"},{"product_id":"one_of_these_nights","title":"One Of These Nights","description":"\u003cp\u003eOne of These Nights is the fourth studio album by the Eagles, released on June 10, 1975, via Asylum Records, and widely regarded as the band's commercial breakthrough and creative peak of their early period. Produced by Bill Szymczyk and recorded at Criteria Studios in Miami and the Record Plant in Los Angeles, the album features the classic lineup of Don Henley, Glenn Frey, Randy Meisner, Bernie Leadon, and Don Felder — who had joined the band for the preceding On the Border — and captures a band at the height of its collaborative powers. In July 1975 it became the Eagles' first album to reach number one on the Billboard 200, where it remained for five weeks, and it went on to achieve quadruple platinum certification by the RIAA. It earned four Grammy nominations, with \"Lyin' Eyes\" winning the award for Best Pop Performance by a Duo or Group with Vocals — the band's first Grammy — and the album itself was nominated for Album of the Year. As Music Direct describes it, the record served as \"a coming-out party for Glenn Frey and Don Henley's songwriting skills,\" paving the way for the band's ascendancy to global superstardom.\u003c\/p\u003e\u003cp\u003eAcross nine tracks and 43 minutes, the album represents, in AllMusic's assessment, \"the culmination of the blend of rock, country, and folk styles the Eagles had been making since their start — there wasn't much that was new, just the same sorts of things done better than they had been before.\" The disco-inflected title track, inspired by Al Green, features a soulful falsetto from Henley over a four-on-the-floor groove that was a bold stylistic departure, while \"Lyin' Eyes\" remains one of the finest character studies in the classic rock canon. \"Take It to the Limit,\" co-written with Meisner, became the band's first million-selling single, and the deeper cuts \"After the Thrill Is Gone,\" \"Hollywood Waltz,\" and \"Too Many Hands\" give the record emotional depth and range. It also marks the final album appearance of co-founder Bernie Leadon, whose folk-prog instrumental \"Journey of the Sorcerer\" — later immortalized as the theme to The Hitchhiker's Guide to the Galaxy — stands as one of the record's most unusual and enduring moments. In May 2026, Rhino released a Deluxe Edition as a 3CD\/Blu-ray set, featuring a new mix by Rob Jacobs, new Dolby Atmos and hi-res stereo mixes, and a previously unreleased 16-song concert recording from Anaheim Stadium on September 28, 1975 — the last show Bernie Leadon ever played with the band.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ 3LP","offer_id":53536498581818,"sku":"38138","price":106.99,"currency_code":"CAD","in_stock":true},{"title":"CD \/ 3CD - Expanded Edition - 3CD + Blu-Ray Audio","offer_id":53536498614586,"sku":"38139","price":63.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-05-29_at_1.30.24_PM_4ba4a751-9220-4623-aed9-af5c28ecc315.jpeg?v=1782892920"},{"product_id":"peaches","title":"Peaches!","description":"\u003cp\u003ePeaches! is the fourteenth studio album by Akron, Ohio rock duo The Black Keys — Dan Auerbach and Patrick Carney — released on May 1, 2026, via Easy Eye Sound and Warner Records. The record is a covers album, and its origin story is inseparable from its sound: when Auerbach's father fell critically ill in early 2025, Carney assembled a group of musicians and got the band into the studio not to make a record, but simply to play. Corralling guitarist Kenny Brown, bassist Eric Deaton, and Jimbo Mathus of Squirrel Nut Zippers fame into Auerbach's Easy Eye Sound studio in Nashville, the group recorded the ten tracks largely live in the room with minimal overdubs — every track cut in one or two takes, the guitars bleeding loud into the room mics. A horn section arranged by Tommy Brenneck and featuring Cochemea Gastelum, Jared Tankel, Ian Hendrickson-Smith, and Dave Guy adds color to select tracks. As Auerbach describes it, the album is the band's \"most natural record\" since their 2002 debut The Big Come Up, and like their 2021 covers album Delta Kream, it draws from the deep well of blues 45s that the two have been obsessively collecting and spinning at DJ sets for years.\u003c\/p\u003e\u003cp\u003eThe ten songs are drawn from a deliberately obscure and wide-ranging set of sources — Junior Kimbrough, R.L. Burnside, Arthur Crudup, Willie Griffin, George Thorogood, and Dr. Feelgood among them — and the band treats them less like source material to faithfully reproduce than as raw material for spontaneous reinvention. Louder Sound praises the album as \"revitalised, urgent and gloriously unrefined,\" noting that Dr. Feelgood's \"She Does It Right\" is slowed to the point of developing \"an entirely new, salacious personality,\" while George Thorogood's \"You Got to Lose\" is \"slashed and torn in a midnight rumble.\" The Fire Note calls it \"the band's strongest blast of garage blues in years,\" drawing comparisons to the spirit of early White Stripes, R.L. Burnside, and the Jon Spencer Blues Explosion, while Blues Rock Review awarded it 9\/10. Critical reception was mixed overall — Pitchfork scored it a 6.0 and Paste was sharply dismissive — but for fans who have followed the band since their basement recordings, Peaches! represents exactly the kind of unvarnished, pressure-free return to form that had been missing from their more commercial-leaning recent output.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Cassette \/ Album","offer_id":53536519356730,"sku":"38144","price":26.99,"currency_code":"CAD","in_stock":true},{"title":"Vinyl \/ Album - Indie Excl. Bone Coloured Vinyl","offer_id":53536519389498,"sku":"38145","price":39.99,"currency_code":"CAD","in_stock":true},{"title":"CD \/ Album","offer_id":53536519455034,"sku":"38142","price":12.99,"currency_code":"CAD","in_stock":true},{"title":"Vinyl \/ Album","offer_id":53536519520570,"sku":"38143","price":39.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-05-29_at_1.39.31_PM_16b9921a-1c1d-413e-a504-20ab9e613291.jpeg?v=1780076547"},{"product_id":"play_monk_ellington_strayhorn_live_at_yoshis_1994","title":"Play Monk, Ellington \u0026 Strayhorn (Live At Yoshi's 1994)","description":"\u003cp\u003ePlay Monk, Ellington \u0026amp; Strayhorn: Live at Yoshi's 1994 is a previously unreleased live recording capturing pianist Mal Waldron and soprano saxophonist Steve Lacy in an intimate duo performance at the legendary Yoshi's jazz club in Oakland, California, on June 8, 1994. Released on May 1, 2026, by Elemental Music as a deluxe 2CD and 180-gram double LP gatefold edition, the recording was transferred from the original tapes and mastered by Matthew Lutthans at The Mastering Lab, with mixing and restoration handled by Marc Doutrepont at EQuuS. The package includes exclusive photographs by Hugo Peeters and a liner essay by jazz author Kevin Whitehead. Waldron and Lacy were longstanding and deeply symbiotic collaborators — two of the most distinctive and uncompromising voices in post-bop jazz — and their shared devotion to the music of Thelonious Monk made them natural interpreters of the repertoire at the heart of this performance. The album has been awarded a \"Choc\" distinction by Jazz Magazine, one of the publication's highest critical honors.\u003c\/p\u003e\u003cp\u003eAcross 14 tracks and nearly two hours of music, the duo explores compositions by Monk, Duke Ellington, and Billy Strayhorn alongside their own originals, creating what Elemental Music describes as \"a powerful document of two singular voices in jazz meeting in spontaneous musical conversation.\" The Monk material is particularly well represented — \"Monk's Dream,\" \"Evidence,\" \"Let's Call This,\" \"Epistrophy,\" \"'Round Midnight,\" and \"Bemsha Swing\" all appear — while the Ellington and Strayhorn contributions include \"In a Sentimental Mood,\" \"In a Mellow Tone,\" and \"Johnny Come Lately.\" The program also makes room for Bud Powell's \"I'll Keep Loving You,\" Elmo Hope's \"Roll On,\" Lacy's own \"Prayer,\" Waldron's extended \"Snake Out,\" and a jointly credited \"Blues\" that closes out the set. The result is a richly detailed and deeply felt encounter between two musicians who had spent decades developing a shared language — unhurried, probing, and utterly without pretension.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ 2CD","offer_id":53536550191418,"sku":"38147","price":28.99,"currency_code":"CAD","in_stock":true},{"title":"Vinyl \/ 2LP","offer_id":53536550224186,"sku":"38148","price":58.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-05-29_at_1.53.12_PM.jpeg?v=1780077382"},{"product_id":"resurrection_a_bi_gan_film_original_soundtrack","title":"Resurrection (A Bi Gan Film - Original Soundtrack)","description":"\u003cp\u003eResurrection (A Bi Gan Film — Original Soundtrack) is M83's score for the acclaimed 2025 Chinese\/French science-fiction epic directed by Bi Gan, the visionary filmmaker behind 2018's Long Day's Journey Into Night. The film, which premiered in competition at the 2025 Cannes Film Festival on May 22 and received the prestigious Prix Spécial from the jury, is set in a future world where humanity has lost the ability to dream — save for a select few mystical beings known as \"fantasmers\" who can draw others into hallucinogenic visions. The soundtrack was digitally released on December 10, 2025 via M83 Recording Inc., exclusively distributed by Believe, with physical formats — an LP+10\" and CD digipak on Anthony Gonzalez's own Other Suns label — following on April 24, 2026.\u003c\/p\u003e\u003cp\u003eComposed by M83 mastermind Anthony Gonzalez, the 12-track, roughly 53-minute score draws on the full breadth of his sonic palette to match the film's surreal, meditative atmosphere. As described by Apple Music, the album balances immersive ambient synthscapes — anchored by the two-part \"Spinning Fury\" that bookends the record — with organic orchestral writing (\"From Bright Lights\") and neoclassical piano-and-violin reveries (\"Spectres\"), all hovering in the liminal space between fantasy and waking reality. The extended centerpiece \"Serpentine\" runs over six minutes of drifting psychedelia, while the title track proper arrives at track eight as a quiet emotional summit. Stereogum noted that it follows M83's score for A Necessary Escape (the Dakur Chronicles documentary) and marks another step in Gonzalez's increasingly prolific film scoring career, with the synths-and-strings palette described as ideally suited to Bi Gan's overwhelming visual style.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53536577290554,"sku":"38151","price":21.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-05-29_at_2.07.31_PM.jpeg?v=1782288183"},{"product_id":"seasons_of_the_dark_hive","title":"Seasons Of The Dark Hive","description":"\u003cp\u003eSeasons of the Dark Hive is the debut full-length album by Belgian medieval folk duo Tabernis — comprising Noxifer (Beekeeper) on bagpipes and Umbrae (Beekeeper) on davul — released on April 24, 2026 via Napalm Records. The duo's entire artistic identity is built around the ancient practice of beekeeping as both metaphor and ritual framework: they perform in medieval beekeeper costumes, and their music is conceived as an immersive sonic and conceptual world in which the hive represents the balance between humanity and nature that the band believe is being irreversibly lost. Chaoszine noted that despite fitting no traditional metal or rock category, the duo had already earned appearances at Wacken Open Air and Summer Breeze festival off the strength of a debut EP alone — a testament to the visceral, primal quality of their sound. The 15-track album spans around 45 minutes of largely instrumental compositions, anchored by just two instruments but enriched by the subtle presence of a mysterious \"Dark Monk\" on strings, occasional distorted whispers, and the soft ritualistic hum of bees woven through the mix.\u003c\/p\u003e\u003cp\u003eThe album opens with \"Sanctus,\" a choral summoning that Napalm Records describes as \"a rhythmic reminder of the strength in many,\" before unfolding through an array of moody instrumentals that oscillate between the buoyantly buzzing (\"Tenebrae,\" \"Sylvanot\") and the pensively droning (\"Noctilis\"). Two tracks reach back into genuine medieval source material: \"Mel Obscurum (Palästinalied)\" is the duo's rendition of Walther von der Vogelweide's celebrated 13th-century Palestine Song, into which Tabernis has woven a new text evoking the twilight season of the hive, while \"Hive Dance (Bransle du maître de la maison)\" draws from a late medieval French dance tune. The album also includes a reworking of the Occitan troubadour song \"Ai Vist Lo Lop\" as \"Apem Vidi.\" RAMzine described the lead single \"Tenebrae\" as carrying \"a steady pulse, a balance between slowness and urgency\" with \"almost hypnotic energy,\" while the band themselves describe the album as designed to create \"something between energy and stillness — a form of connection to something deeper, something older.\"\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53536784122170,"sku":"38164","price":14.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-05-29_at_3.27.12_PM.jpeg?v=1780082943"},{"product_id":"solhz","title":"Sol.Hz","description":"\u003cp\u003eSol.Hz is the fifth studio album by British electronic post-rock group Seefeel — built around the productions of Mark Clifford and the treated vocals of Sarah Peacock — released on May 1, 2026 via Warp Records, their first full-length in fifteen years and the first since their self-titled 2011 album. The band had re-emerged in 2024 with two critically received mini-albums, Everything Squared and Squared Roots, but Sol.Hz represents the full-length statement Clifford had always intended to follow them. Described in press materials as the group's \"dub\" album, the nine-track, 42-minute record was recorded at Polyfusia and Church Road Studios, with its title translating loosely as \"sun plus electricity\" — though Warp have kept the precise meaning deliberately open. Seefeel were one of the first guitar-based groups signed to Warp, gaining their footing with the influential 1993 debut Quique and 1995's Succour, and their influence has been cited by a newer generation of artists including Maria Somerville and Yu Su.\u003c\/p\u003e\u003cp\u003eSonically, Sol.Hz pushes further into dissolution than any prior Seefeel record. PopMatters describes the album as less interested in constructing songs than \"sustaining a shifting field of texture, where familiar signposts dissolve as quickly as they emerge\" — any guitar presence reduced to incidental feedback or indistinct harmonic bleed, percussion restrained and often improvised-sounding, \"like found objects struck rather than a coherent kit.\" The opening track \"Brazen Haze\" emerges from silence rather than beginning, creeping into the headphones with triangular waveforms of melody floating beneath searing white noise, while Sarah Peacock's manipulated vocals — when they appear, as on \"Ever No Way\" — provide what Freq calls \"a sudden calm surprise\" that maintains \"an anchorage in the human.\" The controlled, cavernous low-end of the dub influence runs through the album's foundations alongside pulsing, IDM-indebted rhythmic patterns, while tracks like \"AM Flares,\" \"Falling First,\" and \"Behind The Seen\" extend the sense of deep-space drift.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ Album - Clear Vinyl","offer_id":53536836747578,"sku":"38167","price":40.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-05-29_at_3.38.28_PM_dfbe42ea-e2d8-4070-a042-c908c155f819.jpeg?v=1780083663"},{"product_id":"still_suffer","title":"Still Suffer","description":"\u003cp\u003e\"Still Suffer\" is the eighth studio album by Terror, the hardcore punk band from Los Angeles, California, released in 2016 on Pure Noise Records. Terror has been one of the most consistent and prolific acts in hardcore since their formation in 2002, and \"Still Suffer\" arrived as further confirmation of their unwavering commitment to the genre's foundational values — aggression, intensity, unity, and an uncompromising DIY ethos. Produced with the kind of blunt, unadorned sonic directness that hardcore demands, the album wastes no time on atmospheric preamble or stylistic experimentation, delivering instead a relentless barrage of short, punishing tracks that do exactly what Terror has always done, and do it with total conviction. Vocalist Scott Vogel remains one of the most commanding presences in hardcore, his delivery a controlled fury that anchors the band's sound with genuine authority.\u003c\/p\u003e\u003cp\u003eThe album continues the thematic preoccupations that have defined much of Terror's catalogue — perseverance through adversity, loyalty to the hardcore community, personal struggle and resilience, and a fierce rejection of compromise. These are not new themes for the band, but Terror has always derived their power less from novelty than from the sincerity and intensity with which they return to these ideas album after album. \"Still Suffer\" is tight, focused, and physically immediate in the way the best hardcore always is — music designed as much for the mosh pit and the communal live experience as for individual listening. The guitar work is thick and driving, the rhythm section locked in and punishing, and the whole record moves with the unstoppable forward momentum that is Terror's signature.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ Album - Laguna Coloured Vinyl","offer_id":53568971637050,"sku":"38190","price":33.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-05_at_12.02.21_PM.jpeg?v=1782288205"},{"product_id":"whistle_stop","title":"Whistle Stop","description":"\u003cp\u003eWhistle Stop is a studio album from jazz trumpeter Kenny Dorham, recorded on January 15, 1961 at Van Gelder Studio in Englewood Cliffs, New Jersey and released that same year on Blue Note Records (BLP 4063). It marked Dorham's return to Blue Note as a leader after a five-year absence following his 1956 'Round About Midnight at the Café Bohemia, and the lineup he assembled is a murderers' row of hard bop talent: Hank Mobley on tenor saxophone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums — all musicians with whom Dorham had deep prior relationships, Mobley and Dorham having played together previously in Art Blakey's Jazz Messengers and in Max Roach's band. All seven compositions are Dorham originals, and they cover a deliberately wide range of moods — from the shuffle blues of \"'Philly' Twist\" and the spacious lyrical warmth of \"Sunset\" and \"Sunrise in Mexico\" to the blistering title track, which Blue Note's own account describes as a direct reference to train travel, with Jones \"driving them as hard as any engineer.\" The album closes with \"Dorham's Epitaph,\" a gently swaying one-minute showcase for Dorham's upper-register playing — a quick but rousing final flourish.\u003c\/p\u003e\u003cp\u003eThe album has grown steadily in critical esteem over the decades and is now firmly regarded as one of the essential hard bop recordings of the early 1960s. Jazz critic Gary Giddins famously described Dorham as \"virtually synonymous with underrated,\" and Blue Note has called him \"one of the most underrated trumpeters in jazz history,\" placing Whistle Stop alongside Una Mas and Trompeta Toccata as the peak of his Blue Note output. Five British critics selected it for their list of 200 essential post-World War II jazz albums, and All About Jazz has called it a top-flight example of exactly what the hard bop form can do. Blue Note reissued the album in May 2026 as part of its Classic Vinyl series — an all-analog stereo edition mastered by Kevin Gray from the original master tapes and pressed on 180g vinyl at Optimal — the latest in a long line of audiophile reissues that include Analogue Productions' celebrated 45-RPM edition, a testament to just how richly this particular session rewards high-quality playback.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ Album - Blue Note Classic Vinyl Series","offer_id":53578380017978,"sku":"38250","price":45.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-08_at_6.02.06_PM_4b138d96-b5a0-4e3f-b12e-84f0e22548ae.jpeg?v=1784102619"},{"product_id":"octane","title":"Octane","description":"\u003cp\u003eOCTANE is the fifth studio album from Houston rapper and singer Don Toliver, released on January 30, 2026 via Cactus Jack\/Donnway \u0026amp; Co\/Atlantic Records. An 18-track record rooted in Toliver's signature melodic, psychedelic trap-R\u0026amp;B, the album was built with lush, cinematic production informed by his deep love of cars and rally racing culture — independence, motion, and the thrill of the drive serving as its central conceptual fuel. Toliver described the project as one grounded entirely in the present moment: \"It's not in the future, it's not in the past, it's right now.\" The album also marks a new chapter in his creative process, with Toliver diving more deeply into production alongside his longtime engineer and collaborator 206 Derek during sessions in Miami, lending the record a more personally invested sonic identity than his previous work.\u003c\/p\u003e\u003cp\u003eThe 18-track, fully melodic set moves through nocturnal, psychedelic atmospheres and lush beat-driven moods with features that include a last-minute verse from Travis Scott on \"Rosary\" — continuing a five-album collaborative streak between the two Houston artists — and a sample of Justin Timberlake's \"Rock Your Body\" anchoring the standout track \"Body.\" Highlights also include the hypnotic \"Tiramisu,\" the slow-burning \"Rendezvous,\" and the closer \"Sweet Home,\" which pulls back from the album's sleek nocturnal energy into something more warmly introspective. The record debuted at No. 1 on the US Billboard 200 with 162,000 album-equivalent units in its first week — Toliver's first chart-topping album — with all 18 tracks landing on the Hot 100, a commercial achievement that confirmed his status as one of the most successful artists to emerge from Travis Scott's Cactus Jack universe.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53578397122874,"sku":"38254","price":12.99,"currency_code":"CAD","in_stock":false},{"title":"Vinyl \/ 2LP - Clear Smoke Vinyl","offer_id":53578397155642,"sku":"38255","price":58.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-08_at_6.12.43_PM.jpeg?v=1780956927"},{"product_id":"loud_bloom","title":"Loud Bloom","description":"\u003cp\u003eLoud Bloom is the debut solo album from Olof Dreijer — DJ, producer, and one half of the acclaimed Swedish electronic group The Knife — released on May 8, 2026 via dh2\/Rabid Records. Where The Knife were known for their unsettling, tension-laden atmospheres, Loud Bloom charts a deliberately different course: fourteen tracks over 75 minutes built around queer joy, pleasure, and the restless thirst for sonic novelty. Taking inspiration from Nigerian author Akwaeke Emezi and their ability to embed bold, progressive themes within the accessible form of romantic fiction, Dreijer pursues a similar strategy in music — vividly unconventional dance music made instinctive and easy to love. Chicago house structures, classic drum machine hits, and club music tropes are all present, but consistently remoulded into something new and unmistakably personal, with synths that Beats Per Minute describes as sounding \"both like retro video games and Cthulhu-like\" — simultaneously organic and electronic, a hybrid entity spreading in all directions at once.\u003c\/p\u003e\u003cp\u003eThe album is deliberately structured in two halves that feel like different rooms of the same club. The first half delivers energetic, vivid, and colourful tracks — including reworkings of earlier singles — with the pregnant bass tones of \"Plastic Camelia,\" the itchy low-end workout of \"Blood Lily,\" and the sun-kissed momentum of surrounding tracks drawing the listener deep into the dancefloor. The second half introduces what Dreijer calls \"microtonal and calmer jazzy improvisations and explorations,\" offering a photo-negative comedown to what came before, gradually acquiring an ambient quality as texture and mood take precedence over structure. Seismograf compared it to the club-inflected pop kaleidoscopes of Caribou's Our Love and Jamie xx's In Colour, noting that Dreijer's music \"believes in ecstasy as a gentle experience\" — music meant for dancing, yet somehow shy at the very thought of pure celebration. The result is one of the more genuinely idiosyncratic electronic albums of 2026: a document of personal evolution from an artist who waited until he had something truly his own to say.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53578602676538,"sku":"38261","price":16.99,"currency_code":"CAD","in_stock":true},{"title":"Vinyl \/ 2LP","offer_id":53578602742074,"sku":"38262","price":42.99,"currency_code":"CAD","in_stock":true},{"title":"Vinyl \/ 2LP - Indie Excl. Red Cherry Eco Mix Vinyl","offer_id":53578602774842,"sku":"38263","price":42.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-08_at_8.06.18_PM_6f7668a9-6ff5-4742-93d4-f50004334481.jpeg?v=1783497708"},{"product_id":"merciless","title":"Merciless","description":"\u003cp\u003eMerciless is the eighth studio album from Body Count, the Los Angeles rap-metal band fronted by Ice-T alongside original members guitarist Ernie C and turntablist Sean E Sean, with the current lineup rounded out by bassist Vincent Price, drummer Ill Will, rhythm guitarist Juan of the Dead, and Ice-T's son Little Ice as hype man and backing vocalist. Released on November 22, 2024 via Century Media Records and produced by Ice-T, Vincent Price, and Will Putney — the fourth consecutive Body Count album with Putney at the controls — the twelve-track, 41-minute record continues the creative and commercial resurgence the band experienced with Bloodlust (2017), Carnivore (2020), and the Grammy win that followed. Ice-T has described the conceptual spine of the album as rooted in his love of horror movies, with Merciless functioning as the latest chapter in a connected saga that began with Manslaughter — a blood-soaked, unapologetic celebration of aggression and survival delivered with the band's characteristic blend of fury and dark humor.\u003c\/p\u003e\u003cp\u003eThe album comes loaded with guests from across the metal world: George \"Corpsegrinder\" Fisher of Cannibal Corpse, Joe Badolato of Fit for an Autopsy, and Max Cavalera of Soulfly and Sepultura all contribute ferocious guest appearances, lending additional layers of extreme metal intensity to an already punishing record. Howard Jones adds a melodic counterweight on his featured track. The most unexpected and arguably most striking moment on the album is Body Count's full-band cover of Pink Floyd's \"Comfortably Numb,\" which features David Gilmour himself playing his iconic guitar lines and contributing backing vocals — a genuinely surreal collision of worlds that nonetheless works precisely because the song's emotional weight translates naturally into the heavy format. Lead single \"Psychopath\" with Badolato serves as the record's most immediate statement of intent, while the title track delivers the slow-burn menace the album's horror-film conceptual framework demands throughout.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ Album","offer_id":53578651140410,"sku":"38271","price":30.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-08_at_8.37.43_PM_1ba29c14-02f5-40a2-bdd3-c06e5db1f591.jpeg?v=1783497716"},{"product_id":"mamihlapinatapai","title":"Mamihlapinatapai","description":"\u003cp\u003eMAMIHLAPINATAPAI is the fourth extended play from South Korean five-member girl group ILLIT — Yunah, Minju, Moka, Wonhee, and Iroha — released on April 30, 2026 via Belift Lab under HYBE. The album's title is drawn from the language of the Yaghan people of South America — a word recognized by Guinness World Records as the most difficult to translate, roughly describing the silent, mutual glance exchanged between two people, each hoping the other will volunteer to do something they both want but neither wants to initiate first. That concept runs through the EP thematically, with the group using it as a framework to explore hesitation, shared longing, and the desire to step back from responsibility. The five-track, 13-minute EP is available in three physical versions — GRWM Ver., IT'S ME Ver., and FREE RIDER Ver. — the latter themed around the track \"Mamihlapinatapai\" itself, representing a \"lazy perfectionist\" who, confronted with the overwhelming responsibilities of the world, simply wants to declare: \"Just for today, I want to be free.\" The FREE RIDER version is packaged in yellow with a folder package and 64-page saddle-stitched photobook.\u003c\/p\u003e\u003cp\u003eMusically, the EP marks a sonic evolution from the dreamy electronic pop that defined ILLIT's earlier hits like \"Magnetic.\" The lead single \"It's Me\" is a techno-pop surge built around a dramatic beat drop and a playfully self-aware sung-chanted hook — \"Who's your bias? I'm your bias\" — that leans into a bolder, more assertive energy. The bright, social-media-literate \"GRWM (Get Ready With Me)\" and the charming, pet-themed \"Paw, Paw!\" — on which member Iroha receives a writing credit — sit alongside the title track's edgier, electro-pop and drum-and-bass-influenced textures. The closing track \"Love, Older You,\" credited to all five members, provides a more tender and introspective close to the record. At under fourteen minutes, the EP is compact by design — a tight showcase of a group consolidating its identity and expanding its sonic palette at the same time.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album - CD\/Merch - Free Rider Version","offer_id":53578670571834,"sku":"38273","price":35.99,"currency_code":"CAD","in_stock":true},{"title":"CD \/ Album - CD\/Merch - GRWM Version","offer_id":53578673291578,"sku":"38274","price":35.99,"currency_code":"CAD","in_stock":false},{"title":"CD \/ Album - CD\/Merch - It's Me Version","offer_id":53578673324346,"sku":"38275","price":35.99,"currency_code":"CAD","in_stock":true},{"title":"CD \/ Album - CD\/Merch - Paw Paw Version","offer_id":53578673357114,"sku":"38276","price":24.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-08_at_8.50.37_PM_b966b615-6eda-4f44-b326-fb06ea077d18.jpeg?v=1783497712"},{"product_id":"quebec","title":"Quebec","description":"\u003cp\u003eQuebec is the eighth studio album from Ween — Dean Ween (Mickey Melchiondo) and Gene Ween (Aaron Freeman) — released on August 5, 2003 via Sanctuary Records. It was the band's first album on an independent label since The Pod (1991), following the expiration of their contract with Elektra after White Pepper (2000), and was recorded during a period of significant personal turmoil for both members. Dean Ween described the album as \"very negative,\" and that darkness permeates the record in a way that sets it apart from everything else in the band's catalog — it is by some distance their most emotionally serious and sonically cohesive work, a 55-minute, 15-track record that makes the most sustained case for the D'Addario brothers as genuinely great songwriters rather than merely brilliant parodists and genre chameleons. The album was originally titled Caesar before the name was changed, and it was produced by the band themselves alongside longtime collaborators, with a warmth and spaciousness to the recording that gives the record a weightiness quite unlike the deliberately lo-fi aesthetics of their earlier work.\u003c\/p\u003e\u003cp\u003eThe fifteen tracks span a remarkable range while maintaining a brooding, psychedelic coherence that holds the whole thing together. The album opens with the thundering proto-metal of \"It's Gonna Be a Long Night\" — a clear nod to Motörhead — before shifting into the desolate acoustic beauty of \"Zoloft,\" named for the antidepressant and capturing a kind of numb, medicated sadness with devastating economy. \"Transdermal Celebration\" is the album's most beloved track, a slow-burning country-inflected ballad of transcendent emotional weight, while \"Tried and True\" and \"Chocolate Town\" showcase the brothers' gift for the kind of melody that lodges permanently in the brain. The album's final stretch — \"Alcan Road,\" the eleven-minute Pink Floyd-adjacent epic \"The Argus,\" and the closing \"If You Could Save Yourself (You'd Save Us All)\" — gives the record an almost operatic sense of scale and resolution. It is widely considered among the finest albums of the 2000s by Ween's devoted fanbase, and a colored vinyl 2LP reissue cut at 45RPM has made it available to new listeners in appropriately high-fidelity form.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ 2LP - Orange \u0026 Magenta Vinyl","offer_id":53578752557370,"sku":"38284","price":56.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-08_at_9.20.48_PM_e38da899-ada2-4a8b-8b9c-7a24441f7c9e.jpeg?v=1780968159"},{"product_id":"pilgrim","title":"Pilgrim","description":"\u003cp\u003ePilgrim is Jesse Welles's fourth full-length album of 2025, released on July 4th via his own imprint and produced by Eddie Spear, who has also worked with Zach Bryan, Margo Price, and Sierra Ferrell. Coming just months after Middle, the album represents a significant sonic expansion for Welles, who built his initial following almost entirely on solo acoustic videos posted to social media. Where his earlier material was deliberately spare — just voice, guitar, and harmonica recorded outdoors — Pilgrim introduces electric instrumentation, strings (cellist Nat Smith, fiddler Christian Ward, and violinist Nate Leath all contribute), and even touches of horns and banjo, fleshing out songs that already had raw acoustic counterparts circulating online. The album features two high-profile guest appearances: Sierra Ferrell joins Welles on the stripped-down duet \"Far From Home,\" and Billy Strings appears on the upbeat, Woody Guthrie-flavored \"Philanthropist,\" a pointed, ironic takedown of billionaire philanthropy.\u003c\/p\u003e\u003cp\u003eLyrically, Pilgrim stays in Welles's familiar territory of folk protest and social critique, drawing comparisons from reviewers to Todd Snider, Cat Stevens, Townes Van Zandt, and even Bob Dylan, with one YouTube reviewer calling him \"the Bob Dylan of our generation.\" The eleven tracks range from the bluntly apocalyptic opener \"We're All Gonna Die\" to the metaphysically restless title track, the working-class fury of \"Philanthropist,\" and the sweeping, communal closer \"Wild Onions,\" which Rock the Body Electric describes as \"a wide-ranging closer that sums up Welles.\" The album also includes \"Will the Computer Love the Sunset,\" considered by some one of his finest songs, though the fuller production has divided listeners who prefer his rawer solo versions.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ Album - Summer Peach Vinyl","offer_id":53582005305658,"sku":"38291","price":55.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-09_at_3.58.33_PM.jpeg?v=1781035274"},{"product_id":"in_somnolent_ruin","title":"In Somnolent Ruin","description":"\u003cp\u003eIn Somnolent Ruin is the eighth studio album by Swedish gothic doom metal band Draconian, released on May 8, 2026 through Napalm Records. The album arrives six years after 2020's Under a Godless Veil — the longest gap between releases in the band's career — and carries two significant developments: the return of original vocalist Lisa Johansson, who had stepped away from the band in 2011 for personal reasons, and the official integration of new drummer Daniel Johansson (ex-Wormwood), who joined as a full member in 2025. Spanning nine tracks and 58 minutes, the album is described by Napalm Records as one of the most personal records in the band's discography, built around a recurring exploration of Plato's theory of the soul — a thematic thread that emerged organically during the writing process rather than being planned from the outset. Lyrically, it confronts feelings of alienation, fractured divinity, and the search for direction, continuing the Gnostic metaphysical unease that has long defined the band's worldview.\u003c\/p\u003e\u003cp\u003eMusically, In Somnolent Ruin refines rather than reinvents the Draconian blueprint, doubling down on the blend of gothic death doom and atmospheric melody that characterized Under a Godless Veil. The album opens with the eight-minute \"I Welcome Thy Arrow,\" which begins with deep synths, a tolling bell, and distant choral voices before unfolding into the reunion of Lisa Johansson's fragile soprano and Anders Jacobsson's shadowy death growls — the interplay that first defined the band's signature sound. Sputnikmusic awarded it 3.8 out of 5, calling it \"an immersive and well-crafted release that reinforces Draconian's strengths,\" while Hotel Hobbies noted that across repeated listens the album becomes \"increasingly immersive,\" describing it as a natural continuation of the path set by its predecessor. Acta Infernalis praised Lisa Johansson's return as allowing the band to \"expand its musical horizons, delivering some unexpectedly intense moments,\" concluding that the album is \"the perfect addition to the band's discography.\"\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53593891406138,"sku":"38358","price":14.99,"currency_code":"CAD","in_stock":true},{"title":"Vinyl \/ Album","offer_id":53593891471674,"sku":"38359","price":41.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-11_at_5.19.46_PM_5205a61d-7457-4919-9840-9040f1339a5c.jpeg?v=1783497680"},{"product_id":"let_it_die_here","title":"Let It Die Here","description":"\u003cp\u003eLet It Die Here is Linda Perry's first solo album in over 25 years, released on May 8, 2026 via Kill Rock Stars \/ 670 Records — her previous solo effort, After Hours, having come out in 1999. In the decades between, Perry became one of the most successful behind-the-scenes figures in popular music, writing and producing career-defining hits for Pink, Christina Aguilera, Gwen Stefani, and others. The 17-track, 57-minute album emerged alongside a feature-length documentary of the same name directed by Don Hardy, which premiered at the Tribeca Film Festival and captures Perry navigating a cancer diagnosis and the death of her deeply complicated mother. As Perry explained to NPR, the album confronts maternal trauma, abuse, grief, and guilt head-on — \"let it die here means exactly that: I want to let that trauma die here.\" Tape Op described it as \"an opus to her late mother, 'the villain and the muse,' and a declaration to keep the muse alive in her art,\" noting that its central question — \"what would Linda write for Linda?\" — is what the entire record sets out to answer.\u003c\/p\u003e\u003cp\u003eSonically, the album is entirely self-produced by Perry at Greenleaf Studios, mixed by Dave Way, and mastered by Gavin Lurssen, and it moves across a wide range of styles while remaining rooted in a classic, polished rock and AOR sensibility. Louder described it as \"a supremely classy and highly polished affair — immaculately crafted, played and produced,\" with Perry gliding from the hazy West Coast rock-pop of \"Balboa Park\" and \"Stupid Yellow Kite\" to the country-inflected heartbreak of \"Is That All You Got\" and the cathartic title track, before arriving at the closing \"Albatross,\" described as a hard-won moment of release and liberation. Sonic Pulse Reviews noted that the album is \"about letting go of your demons — celebrating having survived, celebrating imperfection.\" At 17 tracks some reviewers found the runtime demanding, but the consensus recognized Let It Die Here as a rare and courageous act of self-exposure from an artist who spent decades putting words in other people's mouths.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53596878799162,"sku":"38364","price":22.99,"currency_code":"CAD","in_stock":true},{"title":"Vinyl \/ 2LP - Desert Glass Vinyl","offer_id":53596878831930,"sku":"38365","price":53.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-12_at_2.18.40_PM_e50ab452-7013-4418-b99a-1c9a52a9837c.jpeg?v=1783497690"},{"product_id":"knackology_the_zen_recordings","title":"Knackology: The Zen Recordings","description":"\u003cp\u003eKnackology: The Zen Recordings is a 19-track archival compilation by Los Angeles power pop band The Knack, released on May 8, 2026 through Omnivore Recordings. The collection draws from Zen Records, a boutique label founded by the band's late principal songwriter and lead vocalist Doug Fieger — who passed away in 2010 — as an outlet for new Knack material, early recordings, demos, and rarities that might otherwise never reach the public. Omnivore Recordings has maintained a decade-plus relationship with Zen Records, having previously curated and reissued a number of Knack archival projects, and Knackology represents the latest and most comprehensive fruit of that collaboration. The 71-minute collection spans the full arc of the band's career, from pre-Get The Knack demos recorded by Fieger and guitarist Berton Averre — who began collaborating as far back as 1973, six years before their landmark 1979 Capitol debut — to live recordings stretching from 1978 through 1994, to studio tracks drawn from their later albums Zoom (1998) and Normal As The Next Guy (2001).\u003c\/p\u003e\u003cp\u003eThe tracklist is a deliberate corrective to the \"one hit wonder\" label the band was unfairly saddled with following the enormous commercial success of \"My Sharona.\" Alongside that iconic closer — captured live at Mountain View, California on June 10, 1994 — the compilation includes live versions of \"Good Girls Don't,\" \"Baby Talks Dirty,\" and \"One Day At A Time,\" early demos like \"That's What The Little Girls Do\" and \"Rock \u0026amp; Roll Is Good For You,\" and rarities including the band's cover of Badfinger's \"No Matter What,\" originally recorded for a Badfinger tribute album. As Rough Trade noted, Fieger himself considered Zoom the band's finest album, and the studio tracks drawn from that period and from Normal As The Next Guy make a persuasive case that The Knack remained a vital creative force long after their commercial peak. The collection is mastered by multiple Grammy-winning engineer Michael Graves and accompanied by liner notes from Grammy-winner Lee Lodyga, who has overseen Knack reissues for Capitol, Virgin, and Omnivore alike.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53619931709754,"sku":"38397","price":21.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-17_at_6.18.25_PM_a8effca6-96d5-4d2c-b6af-364b714bf547.jpeg?v=1783497683"},{"product_id":"greengreen","title":"GREENGREEN","description":"\u003cp\u003eGREENGREEN is the second EP by South Korean K-pop group CORTIS, released on May 4, 2026 through BIGHIT Music (Republic Records\/Universal Records). CORTIS — comprising members Martin, James, Juhoon, Seonghyeon, and Keonho — debuted in August 2025 as the third act on Big Hit Music following BTS and Tomorrow X Together, and their debut EP Color Outside the Lines had already made history as only the second K-pop debut album to surpass two million sales on the Circle Chart. GREENGREEN arrived nine months later with pre-orders exceeding 2.39 million copies before release, and first-week sales of 2.31 million copies confirmed a second consecutive double-million seller. The album's central concept is built on a binary contrast: \"GREEN\" represents freedom, instinct, and forward momentum — what CORTIS pursues — while \"RED\" represents uncritical trend-chasing, performed coolness, and the hunger for external approval — what they refuse. As member James explained to The Korea Times, the idea originated from word play: \"I hit 'green' while playing with rhymes, then expanded it out to 'red' and developed it with the producers.\"\u003c\/p\u003e\u003cp\u003eThe six-track, 16-minute EP was a deeply collaborative effort — four of its six songs are co-written and co-composed by all five members, and the group also served as co-directors of the music videos and co-choreographers of the performances. Sonically, as InMusic described it, the record \"leans heavily into distortion, clipped structures, and aggressive tonal shifts, prioritizing momentum over polish\" — a volatile mix of hip-hop, trap, and K-pop maximalism that rarely pauses across its runtime. Opener \"TNT\" establishes the record's explosive energy immediately; title track \"REDRED\" — pre-released on April 20 and already surpassing 28 million Spotify streams by mid-May — anchors the project with raw synthesizer sounds and a repetitive, catchy rhythm; \"ACAI\" was inspired by the members' shared daily habit of eating acai bowls during the recording sessions; \"YOUNGCREATORCREW\" reflects on the weight of the group's own self-chosen descriptor; and closing track \"Blue Lips,\" originally written by Martin during his trainee days, deals with wounds and dreams. Forbes described the group as \"clearly showing teamwork and direction as a next-generation global artist,\" noting that each of the six tracks carries a distinct sound and mood.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ Album","offer_id":53619990167866,"sku":"38402","price":51.99,"currency_code":"CAD","in_stock":false},{"title":"CD \/ Album - CD\/Merch - Bridge Version","offer_id":53619990200634,"sku":"38403","price":31.99,"currency_code":"CAD","in_stock":false},{"title":"CD \/ Album - CD\/Merch - Street Version","offer_id":53619990233402,"sku":"38404","price":31.99,"currency_code":"CAD","in_stock":false},{"title":"CD \/ Album - CD\/Merch - Studio Version","offer_id":53619990266170,"sku":"38405","price":31.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-17_at_6.50.59_PM.jpeg?v=1781736998"},{"product_id":"remember_the_humans","title":"Remember The Humans","description":"\u003cp\u003eRemember The Humans is the sixth studio album by Toronto indie rock collective Broken Social Scene, released on May 8, 2026 through Arts \u0026amp; Crafts (City Slang in Europe). It marks the band's first new album of original material in nearly nine years, following 2017's Hug of Thunder, and represents a significant reunion: the record brings back producer David Newfeld, who had shaped the group's sound on their landmark You Forgot It in People (2002) and self-titled 2005 album but had not worked with them in over two decades. The recording process was shadowed by grief — both co-founder Kevin Drew and Newfeld lost their mothers in close succession during sessions — and that shared loss permeates the album's emotional core. As bassist Brendan Spearin noted, \"there's a different kind of honesty in this record. We've had success, we've lost friends, we've lost parents, we're at this 'what happens next?' stage in life.\" The 12-track, 49-minute record features contributions from vocalist Hannah Georgas, former touring member Lisa Lobsinger, and Leslie Feist — who takes the lead on the resurrected Hug of Thunder outtake \"What Happens Now\" — alongside current vocalist Jill Harris.\u003c\/p\u003e\u003cp\u003eSonically, as the Arts \u0026amp; Crafts label description puts it, the arrangements are \"dense and enveloping — a lattice of horns, guitars, voices, and electronics — yet melody always remains sovereign, refusing to be swallowed by the sheer sound.\" The album opens with \"Not Around Anymore,\" a horn-and-flute-laden meditation on loss and displacement, and moves through the energetic electro-indie burst of \"The Call,\" the six-minute jazz-inflected chamber piece \"This Briefest Kiss,\" and the cacophonous coming-of-age anthem \"Hey Amanda,\" before arriving at the minimalist devastation of closer \"Parking Lot Dreams,\" which Apple Music described as capable of making \"any of your past\/present\/future romances feel mythical in your mind.\" Narc Magazine called it \"vital, cathartic and celebratory,\" while German Rolling Stone described it as \"a polyphonic, pompously-filigree orchestrated masterpiece full of surprising tonal colours and layers of meaning\" and a strong contender for year-end lists. The album is being supported by the North American \"All the Feelings\" co-headlining tour with fellow Toronto indie luminaries Metric and Stars.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53619999703354,"sku":"38406","price":17.99,"currency_code":"CAD","in_stock":false},{"title":"Vinyl \/ Album - Indie Excl. Clear \u0026 White Vinyl","offer_id":53619999736122,"sku":"38407","price":33.99,"currency_code":"CAD","in_stock":false},{"title":"Vinyl \/ Album","offer_id":53619999768890,"sku":"38408","price":37.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-17_at_6.58.31_PM_60ae5480-cead-4c66-9827-42eba7bcce4f.jpeg?v=1783497768"},{"product_id":"the_spade","title":"The Spade","description":"\u003cp\u003eThe Spade is the sixth studio album by Butch Walker and the second released under the Butch Walker and the Black Widows banner, put out on August 30, 2011 via Dangerbird Records in the US and Lojinx in Europe. Recorded live in the studio in Venice, California, the album was written and produced by Walker in collaboration with his longtime bandmates — Fran Capitanelli on guitar, Jake Sinclair on bass and backing vocals, and Chris Unck on rhythm guitar — with Patrick Keeler of The Raconteurs sitting in on drums. The live-in-studio approach gives the record a rougher, more spontaneous feel than some of Walker's more polished productions, leaning into a shambolic rock and roll energy with traces of country twang that set it apart from his earlier, more overtly pop-leaning work. The album debuted at number one on the Billboard Heatseekers Chart and reached number 105 on the Billboard 200.\u003c\/p\u003e\u003cp\u003eAcross its ten tracks — including lead single \"Summer of '89,\" \"Bodegas and Blood,\" \"Synthesizers,\" \"Day Drunk,\" and the ballad \"The Closest Thing to You I'm Gonna Find\" — the album balances Walker's characteristic gift for wry, hook-loaded songwriting with an unguarded autobiographical directness. As Antimusic described it, the album is \"a furious yet operatic look back at his life,\" while Punktastic praised its \"ridiculously singable choruses\" and the band's tight harmonies and playing throughout. Lojinx called it \"an adrenaline-pumping blast of hook-fueled rock and roll\" that showcases Walker's \"sharp lyrical wit and unbridled affection for the anthemic pop of his youth\" — a compact, 34-minute record that captures the energy of a live show more directly than almost anything else in his catalog.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ Album - Gold Black Ice Vinyl","offer_id":53620149977402,"sku":"38437","price":37.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-17_at_8.15.04_PM_b2700e9d-09f2-4e40-83a9-51c1b86f48fa.jpeg?v=1783497791"},{"product_id":"the_twilight_saga_breaking_dawn_part_2_original_motion_picture_soundtrack","title":"The Twilight Saga: Breaking Dawn, Part 2 (Original Motion Picture Soundtrack)","description":"\u003cp\u003eThe Twilight Saga: Breaking Dawn, Part 2 (Original Motion Picture Soundtrack) was released November 13, 2012 on Chop Shop\/Atlantic Records, serving as the fifth and final soundtrack in the Twilight Saga series. Produced once again by Alexandra Patsavas — who had helmed the music supervision for the previous three films — the album assembles fourteen tracks from a broad cross-section of indie and alternative artists. The record sold 229,000 copies in the United States in 2012 alone, making it the third best-selling soundtrack album of the year, and reached number three on the Billboard 200 while simultaneously topping the Billboard Top Alternative Albums, Top Rock Albums, and Soundtrack Albums charts, as documented by Wikipedia.\u003c\/p\u003e\u003cp\u003eThe tracklist draws from an eclectic range of voices, anchored by Passion Pit's kinetic opener \"Where I Come From,\" Ellie Goulding's Skrillex-produced \"Bittersweet,\" and Green Day's brooding \"The Forgotten,\" which served as the album's lead single. More introspective contributions come from Feist (\"Fire in the Water\"), St. Vincent (\"The Antidote\"), James Vincent McMorrow (\"Ghosts\"), and POP ETC (\"Speak Up\"), with Apple Music describing the collection as \"spectral and glittering\" — qualities well suited to the film's emotional register. The album closes with a second instalment of Christina Perri's \"A Thousand Years,\" now a duet with Steve Kazee, alongside an orchestral piece by Carter Burwell, whose separate score album followed two weeks later on November 27, 2012.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53620215415098,"sku":"38448","price":13.99,"currency_code":"CAD","in_stock":true},{"title":"Vinyl \/ 2LP - Tan Vinyl","offer_id":53620215480634,"sku":"38449","price":58.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-17_at_8.49.28_PM_2737a9d7-e3e6-4c19-8ad2-69e966255f7c.jpeg?v=1784102594"},{"product_id":"eurovision_song_contest_vienna_2026","title":"Eurovision Song Contest Vienna 2026","description":"\u003cp\u003eEurovision Song Contest: Vienna 2026 is the official compilation album for the 70th edition of the Eurovision Song Contest, released by Universal Music Group in partnership with the European Broadcasting Union. The album gathers all 35 competing entries from the contest, which was held at the Wiener Stadthalle in Vienna, Austria — the country's third time hosting after 1967 and 2015, made possible by Austrian countertenor JJ's victory at the 2025 contest with \"Wasted Love.\" The digital edition arrived on April 17, 2026, followed by a physical 2CD set on April 24, and a limited-edition triple vinyl pressing on May 22. The contest was presented by Victoria Swarovski and Michael Ostrowski, with two semi-finals on May 12 and 14 preceding the Grand Final on May 16.\u003c\/p\u003e\u003cp\u003eThe 70th edition drew a wide and eclectic range of entries, from Finland's Linda Lampenius and Pete Parkkonen with the electrifying \"Liekinheitin\" to Australia's Delta Goodrem performing the slick midtempo ballad \"Eclipse,\" and Italian crooner Sal Da Vinci delivering the nostalgic pop of \"Per Sempre Sì.\" The contest's historic winner was Bulgaria's Dara with the dance-pop anthem \"Bangaranga,\" which topped both the jury vote and the televote to finish with 516 points — the largest winning margin in Eurovision history and Bulgaria's first-ever victory in the contest after 14 prior participations. Israel's Noam Bettan (\"Michelle\") finished second and Romania's Alexandra Căpitănescu (\"Choke Me\") third, rounding out a Grand Final that drew 11,000 fans to the Wiener Stadthalle and millions more watching across Europe and beyond.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ 3LP - Blue Vinyl\/ Pink Vinyl\/ Clear Vinyl","offer_id":53625822708026,"sku":"38485","price":93.99,"currency_code":"CAD","in_stock":true},{"title":"DVD \/ DVD - 3 DVD","offer_id":53746485363002,"sku":"39249","price":40.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-18_at_4.05.06_PM.jpeg?v=1784237663"},{"product_id":"the_noble_rot_bonus_track_edition","title":"The Noble Rot - Bonus Track Edition","description":"\u003cp\u003eThe Noble Rot is the tenth studio album by Boston-born industrial metal act Powerman 5000, originally released on August 28, 2020 via Cleopatra Records. Led as always by vocalist Spider One — Michael Cummings, younger brother of Rob Zombie — the band at the time of recording comprised Spider One alongside guitarists Ty Oliver and Taylor Haycraft, bassist Murv3, and drummer DJ Rattan. The album's title borrows from the winemaking process of cultivating \"noble rot\" — grapes allowed to decay to just the right degree to produce the sweetest wine — a metaphor that suits the record's ethos: deliberately lo-fi, short, and unpolished, leaning heavily into the electronic and gothic new wave side of the band's palette rather than its metal roots. Clocking in at around 30 minutes across ten tracks, the album draws on post-punk, industrial, EBM, and early '80s alternative influences — Rough Edge called it \"simple but intense music, loud and dark with killer songwriting\" — and features a darkwave cover of The Go-Go's 1981 hit \"We Got the Beat\" alongside original tracks with characteristically tongue-in-cheek titles like \"Cannibal Killers That Kill Everyone\" and \"Strange People Doing Strange Things.\"\u003c\/p\u003e\u003cp\u003eThe Bonus Track Edition, released by Cleopatra Records in 2026, appends the original 10-track album with three additional tracks: a re-recording of the band's signature 1999 hit \"When Worlds Collide\" (which had originally appeared as a bonus track on early CD pressings of the standard edition), a remix of \"Black Lipstick,\" and a remix of \"When Worlds Collide\" — both remixes crafted by German industrial legends Die Krupps, adding an extra layer of electro-industrial grit to two of the album's most prominent songs. The pairing with Die Krupps is a natural fit: the German band's mechanical, driving sound shares DNA with Powerman 5000's industrial leanings, and the remixes offer a heavier, more European industrial perspective on Spider One's reliably eccentric vision.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53629404512570,"sku":"38519","price":19.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-19_at_12.26.54_PM.jpeg?v=1785312197"},{"product_id":"the_world_i_want_to_leave_behind","title":"The World I Want To Leave Behind","description":"\u003cp\u003eThe World I Want to Leave Behind is the fourth and final studio album by Canadian indie rock and post-hardcore band Moneen, released on September 15, 2009 via Dine Alone Records in Canada and Vagrant Records in the United States. Recorded beginning in December 2008, the 12-track album marked a number of firsts for the band: it was their first record with drummer Steve Nunnaro, who the remaining members — vocalist and guitarist Kenny Bridges, guitarist Vince Soliveri, and bassist Chris Hughes — credited as a significant creative contributor, and it was the first to feature additional instrumentation including harp (Kristen Theriault) and cello (Nick Storring). Produced with co-producer assistance and mixed with a cleaner, more spacious sound than previous records, the album traded some of the post-hardcore noise and density of The Red Tree (2006) for more restrained, melodic songwriting — a shift the band framed not as reinvention but as deliberate exploration of ideas they had previously been \"scared of.\"\u003c\/p\u003e\u003cp\u003eThe album opens with its brief, atmospheric title track — just under two minutes — before moving into the core of its songwriting: the quiet-to-loud dynamic that defined Moneen at their best, with Bridges's vocals building from calm, intimate verses into passionate, soaring choruses on tracks like \"Hold That Sound,\" \"Great Escape,\" \"Redefine,\" and the album's centrepiece \"Waterfalls.\" ReadJunk.com called it \"a masterpiece with carefully crafted details in each track,\" while Rockfreaks.net noted the band remained \"criminally underrated and unknown\" despite delivering work of impressive depth and consistency. The vinyl edition included the bonus track \"Dark \u0026amp; Ugly\" not present on the CD version. The album stands as a mature and emotionally expansive capstone to the band's discography, showcasing a group fully confident in their sound at the moment they chose to step away from recording.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ Album","offer_id":53629421551930,"sku":"38520","price":32.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-19_at_12.33.40_PM_811334b2-245d-40f2-adce-7a68b828e375.jpeg?v=1785312206"},{"product_id":"reflection-1","title":"Reflection","description":"\u003cp\u003eReflection is the eighth studio album by Belgian band Hooverphonic — the songwriting duo of Alex Callier and Raymond Geerts — released on November 15, 2013 via Columbia\/Sony Music. It marked the second studio record featuring vocalist Noémie Wolfs, who had first joined the group for 2010's The Night Before, and was preceded by a pair of orchestral releases. The album's most distinctive feature is the unconventional recording approach Callier and Geerts devised under the name \"Hooverdomestic\": rather than booking a conventional studio, they invited fans to submit their homes as recording locations, ultimately selecting five private residences in Belgium — including a farmhouse, an old brick factory, and a castle — along with a church. The natural acoustics and spatial reverb of these spaces gave the album a warm, analogue character that stands apart from the more densely layered productions of the band's earlier catalogue, and the album's title is itself a nod to this: reverb being, in physics, nothing more than the reflection of sound waves.\u003c\/p\u003e\u003cp\u003eSonically, Reflection represented a decisive shift away from the trip-hop and electronica roots that defined Hooverphonic in the late 1990s, leaning instead into guitar-driven pop with echoing harmonies, surf-inflected riffs, and lush ballads. Strings were deliberately omitted — a conscious choice to foreground Wolfs' voice, which had matured considerably through years of touring. Three additional young vocalists and instrumentalists were brought in to widen the sonic texture. \nThe album opened at number one on the Ultratop 200 Albums in the Flemish region of Belgium and was certified Platinum by the Belgian Entertainment Association, driven by five singles including the buoyant opener \"Amalfi,\" which reached number one on the Belgian airplay chart within three weeks of release, as well as \"Ether,\" \"Boomerang,\" \"ABC of Apology,\" and \"Gravity.\"\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ Album - Translucent Red Vinyl","offer_id":53629845995834,"sku":"38541","price":44.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-19_at_2.11.43_PM_63578e58-f0f8-4523-8ed7-1be046599152.jpeg?v=1784707315"},{"product_id":"recorded_live_in_lafayette","title":"Recorded Live In Lafayette","description":"\u003cp\u003eRecorded Live in Lafayette is a double live album from Louisiana slide guitar master Sonny Landreth, released June 30, 2017 via Provogue\/Mascot Label Group — his first live record in twelve years and only his second in-concert release overall. Captured over three consecutive nights at the Acadiana Center for the Arts in Lafayette, Louisiana, the album was co-produced by Landreth and Grammy-winning engineer Tony Daigle, who tracked the sessions on a 48-channel API console. Landreth's long-standing rhythm section of bassist Dave Ranson and drummer Brian Brignac anchored the performances, with two close collaborators rounding out the ensemble: keyboardist and accordionist Steve Conn and guitarist Sam Broussard, whose presence adds considerable color and depth throughout. The 16-track, 93-minute set grew out of Landreth's inability to choose between two long-held ambitions — creating the full-length acoustic album his fans had been requesting for years, and capturing the electric energy of his working band — so he simply did both, splitting the double album cleanly down the middle.\u003c\/p\u003e\u003cp\u003eDisc one is an all-acoustic set built around Landreth's resonator guitar and a stripped-down configuration of ukulele bass, cajón, and accordion, drawing on material stretching back to \"Blues Attack,\" the title cut of his 1981 debut. The warm, roomy acoustic textures set it apart from anything in his previous catalogue, giving familiar songs a fresh, unhurried intimacy. Disc two shifts gears entirely into full-band electric territory, with Landreth's signature bottleneck slide work unleashed across a set that moves through Louisiana blues, zydeco-inflected grooves, and roadhouse rock, closing with the sprawling \"The One and Only Truth.\" As Premier Guitar noted, the Acadiana Center for the Arts is close to the bars and clubs where Landreth first developed his style, and the energy of the crowd — playing on home turf — is palpable throughout.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ 2LP - Blue Vinyl","offer_id":53629860118842,"sku":"38542","price":66.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-19_at_2.14.16_PM.jpeg?v=1785312166"},{"product_id":"reaching_for_the_moon","title":"Reaching For The Moon","description":"\u003cp\u003eReaching for the Moon is the third album from the partnership of Swiss-Albanian vocalist Elina Duni and British guitarist Rob Luft, released on April 24, 2026 via ECM Records and produced by Manfred Eicher. Where their previous two collaborations — Lost Ships (2020) and A Time to Remember (2023) — featured a co-led quartet with pianist\/drummer Fred Thomas and flugelhorn player Matthieu Michel, this album strips the music down to its barest essential form: voice and guitar alone. Recorded in June 2025 at Studios La Buissonne in the south of France, the album returns in spirit to the moment Duni and Luft first met at the 2017 Montreux Jazz Festival, allowing their most instinctive and intimate musical conversation to take center stage. As The Guardian has written of Duni, few contemporary jazz-influenced singers manage to sound so intensely like themselves while drawing on such a breadth of genres, languages, and cultural backgrounds.\u003c\/p\u003e\u003cp\u003eThe album's repertoire is remarkably wide-ranging, moving fluidly between American jazz standards, European art song, traditional Kosovar folk music, film themes, and original compositions. It opens with Irving Berlin's title song and closes with Ornette Coleman's \"Lonely Woman,\" and between those poles lies Gabriel Fauré's \"Les Berceaux,\" a lullaby by Persian singer Mahsa Vahdat, a ballad from Italian singer-songwriter Pino Daniele, and a medley pairing Shigeru Umebayashi's \"Yumeji's Theme\" from In the Mood for Love with Krzysztof Komeda's \"Sleep Safe and Warm\" from Rosemary's Baby. PAN M 360 described the album as containing \"pure little wonders of beauty and delicacy,\" praising Luft's playing as akin to a Renaissance lute player — giving full space to Duni's voice while supporting it in an equally indispensable way, and noting the result as \"a journey that resembles a tranquil ascent towards the lunar light.\"\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53629893804346,"sku":"38545","price":28.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-19_at_2.25.55_PM.jpeg?v=1781893655"},{"product_id":"you_seem_pretty_sad_for_a_girl_so_in_love","title":"You Seem Pretty Sad For A Girl So In Love","description":"\u003cp\u003eyou seem pretty sad for a girl so in love is the third studio album by three-time Grammy Award-winning singer-songwriter Olivia Rodrigo, released June 12, 2026 via Geffen Records. A concept album produced entirely by longtime collaborator Dan Nigro, the 13-track, 51-minute record chronicles the arc of a relationship in real time — from the dizzying exhilaration of new love through the gradual unraveling that follows. Stylistically, it marks a significant departure from the pop-punk ferocity of SOUR and GUTS, trading that sound for an 80s-indebted blend of new wave, dream pop, indie rock, and post-punk, drawing comparisons to The Cure, the B-52s, New Order, Devo, and the Smashing Pumpkins. As Rodrigo explained to Dazed, the album grew out of a deeply personal experience: \"This album is about my first time being in an adult relationship; it's me discovering what romantic love looks like in real time.\" The title itself came directly from a comment Dan Nigro made in the studio during the recording process. The album is divided into two distinct halves — Girl So in Love and You Seem Pretty Sad — with the first seven tracks tracing giddy infatuation and the final six documenting the ennui and heartbreak that follow.\u003c\/p\u003e\u003cp\u003eCritically, the album has been received as Rodrigo's most ambitious and mature work to date, with the Irish Times calling it \"an indie record for the whole world — and her best album yet,\" and Variety praising it as \"the most musically all-over-the-map of her three studio albums, and to its benefit.\" The Los Angeles Times highlights album highlight \"U + Me = \u0026lt;3\" as \"a euphoric promise of devotion that sounds like Sixpence None the Richer reborn as a Midwestern emo band.\" A notable first for Rodrigo's studio discography, the album features a guest appearance from The Cure's Robert Smith on the track \"What's Wrong with Me\" — the first time another artist has appeared on one of her studio albums. According to Metacritic, it is the highest-rated album of 2026 thus far.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53630153785658,"sku":"38570","price":19.99,"currency_code":"CAD","in_stock":false},{"title":"Vinyl \/ Album - Indie Excl. Vinyl","offer_id":53630153851194,"sku":"38571","price":45.99,"currency_code":"CAD","in_stock":false},{"title":"Vinyl \/ Album","offer_id":53630153883962,"sku":"38572","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-19_at_3.56.08_PM.jpeg?v=1785688643"},{"product_id":"youre_living_all_over_me","title":"You're Living All Over Me","description":"\u003cp\u003eYou're Living All Over Me is the second studio album by Amherst, Massachusetts trio Dinosaur Jr. — comprising guitarist and vocalist J Mascis, bassist Lou Barlow, and drummer Murph — released on 14 December 1987 via SST Records. The album was recorded with Sonic Youth engineer Wharton Tiers in New York, a step up from the band's self-produced debut, and marked a significant leap in songwriting focus and sonic ambition. The sessions were tense: Mascis exerted extremely specific control over Murph's drum parts throughout, and the completed album was originally destined for Homestead Records before Mascis chose SST instead, straining his relationship with Homestead's Gerard Cosloy. Early copies in the Boston area were bundled with Weed Forestin', the debut tape by Barlow's side project Sebadoh, and the album features two Barlow compositions — the hardcore-inflected \"Lose\" and the closing lo-fi tape collage \"Poledo,\" which Barlow later identified as the seed of Sebadoh. Lee Ranaldo of Sonic Youth appears as a guest on opener \"Little Fury Things.\"\u003c\/p\u003e\u003cp\u003eAcross nine tracks and approximately 36 minutes, You're Living All Over Me fuses hardcore punk intensity, heavy metal guitar, folk-rock melody, and lo-fi noise into what Pitchfork described as \"a mix of hardcore punk blitz, heavy metal guitars, folk rock freak-outs, and a touch of pure pop.\" Mascis's laconic, forlorn vocals ride waves of Big Muff fuzz, wah-wah, and flanger, establishing the guitar vocabulary that would later be foundational to shoegaze and grunge alike. Standout tracks include opener \"Little Fury Things,\" the churning \"Sludgefeast,\" the bruising \"The Lung,\" and the devastatingly catchy \"Raisans.\" NME's Jack Barron called it \"the most agape rock music to have come out of America this year\" upon release, describing the band as \"the missing link between Hüsker Dü and R.E.M.,\" while Decibel wrote in 2023 that it \"laid out a practical blueprint for freaky, noisy 'ear-bleeding country' four years before grunge catapulted underground music into the mainstream.\" The album received an 8.4 rating from Pitchfork, was ranked 31st on Spin's list of the 100 greatest albums from 1985–2005, and is included in the book 1001 Albums You Must Hear Before You Die. Mascis has named it his personal favourite Dinosaur Jr. record.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ Album - ReVinyl Coloured Edition","offer_id":53641829744954,"sku":"38604","price":31.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-23_at_12.44.19_PM.jpeg?v=1782233218"},{"product_id":"ziggy_stardust_and_the_spiders_from_mars_the_motion_picture_soundtrack","title":"Ziggy Stardust And The Spiders From Mars (The Motion Picture Soundtrack)","description":"\u003cp\u003eZiggy Stardust and the Spiders from Mars: The Motion Picture Soundtrack is a live album by David Bowie, capturing his final performance as his Ziggy Stardust alter ego on 3 July 1973 at the Hammersmith Odeon in London before an audience of 5,000, filmed by documentary filmmaker D.A. Pennebaker. Originally recorded during the final date of the Ziggy Stardust Tour, the album was not released until October 1983 via RCA Records, coinciding with the theatrical release of Pennebaker's concert film. A 2003 reissue remixed by Tony Visconti restored the original stereo mix and removed overdubs added for the 1983 edition; a comprehensive 50th Anniversary Edition followed in August 2023 via Parlophone, newly remastered and featuring two tracks with the late Jeff Beck — a medley of \"The Jean Genie\" and The Beatles' \"Love Me Do,\" and \"Round and Round,\" the latter making its worldwide debut — both newly mixed by Visconti. The 2026 reissue, released 5 June 2026 via Parlophone as a standard 2LP, makes the 50th Anniversary Edition content available in a new pressing for the first time since the limited 2023 gold vinyl run.\u003c\/p\u003e\u003cp\u003eThe Spiders from Mars on the night comprised guitarist Mick Ronson, bassist Trevor Bolder, and drummer Mick Woodmansey, and the set spans the full breadth of Bowie's Ziggy-era catalogue across 20 tracks — including \"Hang On to Yourself,\" \"Ziggy Stardust,\" \"Moonage Daydream,\" \"Space Oddity,\" \"The Width of a Circle,\" \"Suffragette City,\" \"White Light\/White Heat,\" and the closing \"Rock 'n' Roll Suicide,\" framed by orchestral introductions from Wendy Carlos and concluded by Bowie's famous farewell speech announcing the end of the Ziggy Stardust project. The performance is notable both as a document of Bowie's theatrical and musical peak and as a historical moment: most of those in attendance — and the band itself — did not know in advance that Bowie would be retiring the Ziggy persona that night. The 4K restoration of Pennebaker's film, overseen by his son Frazer, restored 12 minutes of additional footage including the previously omitted Jeff Beck appearances, and the audio carries a 5.1 surround mix by Visconti.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ 2LP","offer_id":53641853174074,"sku":"38605","price":52.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-23_at_12.48.55_PM.jpeg?v=1782233867"},{"product_id":"without_sinking","title":"Without Sinking","description":"\u003cp\u003eWithout Sinking is the second solo studio album by Icelandic cellist and composer Hildur Guðnadóttir, originally released on 30 March 2009 via the UK audio-visual label Touch (catalogue TO:70) as a 10-track, approximately 48-minute CD in a digipak with artwork and photography by Jon Wozencroft, and reissued on double vinyl with additional tracks in 2011. The album was composed and recorded by Guðnadóttir in Berlin and Reykjavík, with contributions from a small circle of collaborators: bassist and electronics artist Skúli Sverrisson, organist and composer Jóhann Jóhannsson, and her father, clarinetist Guðni Franzson. Guðnadóttir plays cello, zither, processors, and voice throughout. A vinyl reissue was also announced for 3 July 2026 via Deutsche Grammophon, which now holds the back catalogue under license. Guðnadóttir has described the album's inspiration as her fascination with observing clouds from an airplane window — their density, their ephemerality, and the quality of light filtered through them — and her desire to render that atmospheric quality in music through compositions built on sparse notes, loops, and gradual variation.\u003c\/p\u003e\u003cp\u003eSonically, the album is built on layered, lightly processed, and overdubbed cello, creating what Touch described as \"a rich and melancholy musical tapestry\" hovering between dark ambient, post-classical, and experimental electronica. The 10 tracks — including \"Elevation,\" \"Erupting Light,\" \"Circular,\" \"Ascent,\" \"Aether,\" \"Into Warmer Air,\" and the extended closing piece \"Unveiled\" — maintain a nocturnal, introspective quality while avoiding stasis, moving through dense harmonic textures and more minimal passages with a deliberate, unhurried breath. Wears the Trousers described it as \"a work of divine oppression that, while classically-minded, isn't meant for the elite,\" noting how the album balances hopelessness and grief with the relief suggested by its title, while Headphone Commute called it \"an acoustic modern classical marvel.\" The album is considered a significant early statement in Guðnadóttir's solo catalogue and is among the works being reimagined for orchestra on her 2026 album This Will Be Us.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"Vinyl \/ Album","offer_id":53641900130618,"sku":"38606","price":49.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-23_at_1.03.15_PM.jpeg?v=1782234914"},{"product_id":"wintergarden_the_land_of_milk_and_honey","title":"Wintergarden \u0026 The Land of Milk And Honey","description":"\u003cp\u003eWintergarden was a German rock duo formed in 1979 by Walter Seyffer and Bernd \"Ravi\" Unger, both veterans of the Mannheim progressive rock band Nine Days' Wonder. Their self-titled debut, Wintergarden (1979), was recorded in Hamburg and Hannover with an expanded lineup that included Rainer Herzog on Hammond organ, piano, and moog; Thomas Tscheschner on bass; Charles Esposito on drums; and Ian Cussick contributing additional vocals. The album featured seven lengthy, atmospheric rock tracks — including \"Judy's Blue Monday Café,\" \"Khaki Eyes,\" and \"The Way We Were\" — drawing on the progressive and art-rock sensibilities the duo had cultivated in their earlier band. Released on the EMI subsidiary Harvest Records, the record sold approximately 20,000 copies in Germany, which Seyffer himself described as \"not bad for an unknown group,\" though EMI considered the sales insufficient given their commercial expectations.\u003c\/p\u003e\u003cp\u003eThe Land of Milk \u0026amp; Honey followed in 1980, also released on Harvest, and represented the continuation of that same rock-oriented sound. The album's known tracks — the sprawling, ten-minute \"Swan Song\" and the more compact \"Sweet Rollin' Train\" — suggest the duo maintained their taste for extended, textured compositions. Seyffer described both albums as \"completely different from what had happened in those years before,\" indicating they saw their Wintergarden work as a genuine artistic departure rather than a commercial concession. Unfortunately, the second album did not improve on the modest sales of the first, leading EMI to drop the band entirely.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ 2CD","offer_id":53641961570618,"sku":"38607","price":15.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-23_at_1.16.37_PM.jpeg?v=1782235282"},{"product_id":"wishing_tree","title":"Wishing Tree","description":"\u003cp\u003eReleased on 5 June 2026 as their eleventh album for Hyperion Records, Wishing Tree marks a departure for The Gesualdo Six in that it draws on secular repertoire the ensemble has been performing live since their founding in 2015 — material they had never before committed to a studio recording. The programme is built around interconnected themes of nature, memory, longing, and childhood innocence, weaving together Renaissance madrigals, contemporary choral works, and reimaginings of traditional British and Irish folk songs. It opens with William Byrd's \"This sweet and merry month of May\" and travels through folk arrangements including \"Bushes and Briars\" (arr. Vaughan Williams), \"The Oak and the Ash,\" \"The Lark in the Clear Air,\" and \"My Love is Like a Red, Red Rose,\" alongside newly commissioned and recent works by composers such as David Bednall, Alison Willis, and Christen Taylor Holmes.\u003c\/p\u003e\u003cp\u003eThe album's title and emotional centre is Joby Talbot's The Wishing Tree, a vivid 2002 setting of a poem by Kathleen Jamie in which syllables are passed between voices over an irregular rhythmic ostinato — a technique Talbot describes as evoking \"perpetual yearning.\" The programme also includes Renaissance polyphony by Josquin des Prez, Arcadelt, and Gibbons, and closes with Poulenc's Petites voix, a cycle of six children's songs that reinforces the album's thread of innocence and play. As director Owain Park frames it, Wishing Tree is \"a journey through time, poetry and song, rooted in tradition yet alive with contemporary expression\" — a description that captures the group's characteristic ease in moving between centuries without the seams showing.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53641989882170,"sku":"38608","price":28.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-23_at_1.22.30_PM.jpeg?v=1782235488"},{"product_id":"dinner_party","title":"Dinner Party","description":"\u003cp\u003eDinner Party is Niall Horan's fourth solo studio album, released on 5 June 2026 via Capitol Records, and it takes its central concept from a single real-life evening. Horan wrote the title track after meeting his girlfriend Amelia Woolley at a friend's dinner party — a night he has described as having \"changed the course of my life\" — and that moment became, as he put it, \"the nucleus\" for everything that followed. The 12-track, 36-minute album is executive produced by his longtime collaborators Julian Bunetta and John Ryan, and built around themes of love, intimacy, memory, and the quiet anxiety of being terrified of losing someone. As Horan described it himself, the album is \"a thank you to the past and a hello to the present, covering the big life events and the small, sometimes messy, in-between moments that actually make them up.\"\u003c\/p\u003e\u003cp\u003eSonically, Dinner Party leans into warm, organic pop-rock with country and indie-rock textures, assembled in a deliberately loose, lived-in way — Horan has said of the opener \"Tastes So Good\" that it \"sounds like three dudes in a room jamming, and that's exactly what it is.\" The album moves through breezy, Hall and Oates-inflected rockers like \"Boys Are Fun,\" tender mid-tempo ballads like \"Better Man\" and \"Little More Time,\" and a standout in \"Pretty,\" which critics noted for its guitar work and a memorably blunt chorus. It closes on the more melancholic \"End of an Era,\" one of three pre-release singles alongside the title track and \"Little More Time.\" The album debuted at number one in Ireland, the UK, Australia, Germany, Belgium, and the Netherlands, and Horan supported it with a Dinner Party Live On Tour running through the UK, Europe, and North America into 2027.\u003c\/p\u003e","brand":"Record Store","offers":[{"title":"CD \/ Album","offer_id":53642000466234,"sku":"38609","price":18.99,"currency_code":"CAD","in_stock":true},{"title":"Vinyl \/ Album - Indie Excl. Wine Glass Clear Vinyl","offer_id":53642000531770,"sku":"38610","price":42.99,"currency_code":"CAD","in_stock":true},{"title":"Vinyl \/ Album","offer_id":53642000564538,"sku":"38611","price":42.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/2041\/0682\/files\/Screenshot_2026-06-23_at_1.26.51_PM.jpeg?v=1782235798"}],"url":"https:\/\/recordstore.ca\/collections\/new-releases.oembed?page=15","provider":"Record Store","version":"1.0","type":"link"}