All I Want Is All of It
Whitehorse
All I Want Is All of It is the ninth studio album by Whitehorse — the Canadian husband-and-wife duo of Luke Doucet and Melissa McClelland — released on May 8, 2026 through Six Shooter Records. The album marks a deliberate return to the pair's early folk-rock romanticism after years of more eclectic and stylistically adventurous output, recorded in a 19th-century farmhouse studio whose character and atmosphere became a guiding creative force. McClelland's stated intention was simply to "make a record that sounds like this place," and the resulting approach — instinct over overthinking, first takes over overdubs, organic sound over polished editing — gives the album a lived-in, gravel-road looseness that lets environmental sounds and imperfections breathe. The band was fleshed out by Jimmy Bowskill on bass, drummers John Obercian and Fred Eltringham, Vincent Jones on keys, and the duo's own son Jimi on Wurlitzer and Hammond organ, lending the record a distinctly familial warmth.
Lyrically, the eleven songs sit at the intersection of contradiction, desire, and the passage of time — what Six Shooter Records describes as "intrusive thoughts and all," surfacing the complicated emotions of over two decades of artistic and marital life together. The album-opening "2155" is widely regarded as its standout, a feedback-driven electric guitar excursion that imagines a future both bleak and strangely hopeful. The lead single "See the Light" draws from the haunting imagery of the anglerfish as a metaphor for an internet-age tragedy of desire and destruction, while "I Want the Milk" leans into greed with a knowing, understated duet. Twangville noted that All I Want Is All of It is "Whitehorse's most homeward-looking record in a while," less interested in transformation than in honestly reckoning with the complicated weather of staying — making it, in Concert Hopper's words, "a wholly satisfying addition to their catalog."
All I Want Is All of It
Whitehorse
All I Want Is All of It is the ninth studio album by Whitehorse — the Canadian husband-and-wife duo of Luke Doucet and Melissa McClelland — released on May 8, 2026 through Six Shooter Records. The album marks a deliberate return to the pair's early folk-rock romanticism after years of more eclectic and stylistically adventurous output, recorded in a 19th-century farmhouse studio whose character and atmosphere became a guiding creative force. McClelland's stated intention was simply to "make a record that sounds like this place," and the resulting approach — instinct over overthinking, first takes over overdubs, organic sound over polished editing — gives the album a lived-in, gravel-road looseness that lets environmental sounds and imperfections breathe. The band was fleshed out by Jimmy Bowskill on bass, drummers John Obercian and Fred Eltringham, Vincent Jones on keys, and the duo's own son Jimi on Wurlitzer and Hammond organ, lending the record a distinctly familial warmth.
Lyrically, the eleven songs sit at the intersection of contradiction, desire, and the passage of time — what Six Shooter Records describes as "intrusive thoughts and all," surfacing the complicated emotions of over two decades of artistic and marital life together. The album-opening "2155" is widely regarded as its standout, a feedback-driven electric guitar excursion that imagines a future both bleak and strangely hopeful. The lead single "See the Light" draws from the haunting imagery of the anglerfish as a metaphor for an internet-age tragedy of desire and destruction, while "I Want the Milk" leans into greed with a knowing, understated duet. Twangville noted that All I Want Is All of It is "Whitehorse's most homeward-looking record in a while," less interested in transformation than in honestly reckoning with the complicated weather of staying — making it, in Concert Hopper's words, "a wholly satisfying addition to their catalog."