Alone Together
Show Me The Body
Alone Together is the fourth studio album by New York post-hardcore trio Show Me The Body, released in 2026 via Loma Vista Recordings and conceived explicitly as “an album about praxis”—about turning radical belief into concrete action. Written in large part in the band’s Corpus studio in the basement of their NYC headquarters, the record reflects a period of major personal and political change for frontman Julian Cashwan Pratt, including the birth of his daughter and the death of a close mentor, and recasts the group’s long-standing focus on community defense, mutual aid, and anti-capitalist struggle through a lens of “radical love.” Produced with Klas Åhlund and Kenneth Blume (formerly Kenny Beats), the album runs 13 tracks and around 37 minutes, and is deliberately more focused and streamlined than their previous work, emphasizing direct communication and songcraft over murky atmosphere while still retaining their abrasive edge.
Sonically, Alone Together pulls their sludge-punk, noise, and hip-hop roots into brighter, more melodic territory without dulling the impact: distorted banjo lines, mechanized grooves, and jazz-influenced horns collide with hardcore breakdowns and chant-ready hooks. Tracks like Eat for Peace (anchored by the line “radical love, it compels me to fight”), No God, Dance in the USA, and the title track move between moshable, djent-leaning riffs and singalong sections, while pieces such as Do What’s Right (Happy) and See You Again lean into downer-grunge and minimalist mourning, addressing self-harm, wage slavery, social violence, and the loss of close friends. Critics describe the record as both the band’s most accessible and most ambitious effort to date: the murky hip-hop and scalding noise textures of their early releases are pared back in favor of clearer production and sharper structures, but the core ethos—“blessed are those who stand alone”—remains intact, making Alone Together feel like a concentrated statement of radical, “violent love” aimed at galvanizing listeners to stand up for themselves and for one another.
Alone Together is the fourth studio album by New York post-hardcore trio Show Me The Body, released in 2026 via Loma Vista Recordings and conceived explicitly as “an album about praxis”—about turning radical belief into concrete action. Written in large part in the band’s Corpus studio in the basement of their NYC headquarters, the record reflects a period of major personal and political change for frontman Julian Cashwan Pratt, including the birth of his daughter and the death of a close mentor, and recasts the group’s long-standing focus on community defense, mutual aid, and anti-capitalist struggle through a lens of “radical love.” Produced with Klas Åhlund and Kenneth Blume (formerly Kenny Beats), the album runs 13 tracks and around 37 minutes, and is deliberately more focused and streamlined than their previous work, emphasizing direct communication and songcraft over murky atmosphere while still retaining their abrasive edge.
Sonically, Alone Together pulls their sludge-punk, noise, and hip-hop roots into brighter, more melodic territory without dulling the impact: distorted banjo lines, mechanized grooves, and jazz-influenced horns collide with hardcore breakdowns and chant-ready hooks. Tracks like Eat for Peace (anchored by the line “radical love, it compels me to fight”), No God, Dance in the USA, and the title track move between moshable, djent-leaning riffs and singalong sections, while pieces such as Do What’s Right (Happy) and See You Again lean into downer-grunge and minimalist mourning, addressing self-harm, wage slavery, social violence, and the loss of close friends. Critics describe the record as both the band’s most accessible and most ambitious effort to date: the murky hip-hop and scalding noise textures of their early releases are pared back in favor of clearer production and sharper structures, but the core ethos—“blessed are those who stand alone”—remains intact, making Alone Together feel like a concentrated statement of radical, “violent love” aimed at galvanizing listeners to stand up for themselves and for one another.
Alone Together
Show Me The Body
Alone Together is the fourth studio album by New York post-hardcore trio Show Me The Body, released in 2026 via Loma Vista Recordings and conceived explicitly as “an album about praxis”—about turning radical belief into concrete action. Written in large part in the band’s Corpus studio in the basement of their NYC headquarters, the record reflects a period of major personal and political change for frontman Julian Cashwan Pratt, including the birth of his daughter and the death of a close mentor, and recasts the group’s long-standing focus on community defense, mutual aid, and anti-capitalist struggle through a lens of “radical love.” Produced with Klas Åhlund and Kenneth Blume (formerly Kenny Beats), the album runs 13 tracks and around 37 minutes, and is deliberately more focused and streamlined than their previous work, emphasizing direct communication and songcraft over murky atmosphere while still retaining their abrasive edge.
Sonically, Alone Together pulls their sludge-punk, noise, and hip-hop roots into brighter, more melodic territory without dulling the impact: distorted banjo lines, mechanized grooves, and jazz-influenced horns collide with hardcore breakdowns and chant-ready hooks. Tracks like Eat for Peace (anchored by the line “radical love, it compels me to fight”), No God, Dance in the USA, and the title track move between moshable, djent-leaning riffs and singalong sections, while pieces such as Do What’s Right (Happy) and See You Again lean into downer-grunge and minimalist mourning, addressing self-harm, wage slavery, social violence, and the loss of close friends. Critics describe the record as both the band’s most accessible and most ambitious effort to date: the murky hip-hop and scalding noise textures of their early releases are pared back in favor of clearer production and sharper structures, but the core ethos—“blessed are those who stand alone”—remains intact, making Alone Together feel like a concentrated statement of radical, “violent love” aimed at galvanizing listeners to stand up for themselves and for one another.
Alone Together is the fourth studio album by New York post-hardcore trio Show Me The Body, released in 2026 via Loma Vista Recordings and conceived explicitly as “an album about praxis”—about turning radical belief into concrete action. Written in large part in the band’s Corpus studio in the basement of their NYC headquarters, the record reflects a period of major personal and political change for frontman Julian Cashwan Pratt, including the birth of his daughter and the death of a close mentor, and recasts the group’s long-standing focus on community defense, mutual aid, and anti-capitalist struggle through a lens of “radical love.” Produced with Klas Åhlund and Kenneth Blume (formerly Kenny Beats), the album runs 13 tracks and around 37 minutes, and is deliberately more focused and streamlined than their previous work, emphasizing direct communication and songcraft over murky atmosphere while still retaining their abrasive edge.
Sonically, Alone Together pulls their sludge-punk, noise, and hip-hop roots into brighter, more melodic territory without dulling the impact: distorted banjo lines, mechanized grooves, and jazz-influenced horns collide with hardcore breakdowns and chant-ready hooks. Tracks like Eat for Peace (anchored by the line “radical love, it compels me to fight”), No God, Dance in the USA, and the title track move between moshable, djent-leaning riffs and singalong sections, while pieces such as Do What’s Right (Happy) and See You Again lean into downer-grunge and minimalist mourning, addressing self-harm, wage slavery, social violence, and the loss of close friends. Critics describe the record as both the band’s most accessible and most ambitious effort to date: the murky hip-hop and scalding noise textures of their early releases are pared back in favor of clearer production and sharper structures, but the core ethos—“blessed are those who stand alone”—remains intact, making Alone Together feel like a concentrated statement of radical, “violent love” aimed at galvanizing listeners to stand up for themselves and for one another.