Confessions II

Madonna

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Sale - Sale price $42.99 CAD Regular price
Regular price $42.99 CAD
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Sale - Sale price $47.99 CAD Regular price
Regular price $47.99 CAD
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Sale - Sale price $62.99 CAD Regular price
Regular price $62.99 CAD
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Sale - Sale price $13.99 CAD Regular price
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Description

Confessions II is Madonna’s fifteenth studio album and a direct sequel to her acclaimed 2005 dance record Confessions on a Dance Floor, released on July 3, 2026 through Warner Records after a seven-year gap since Madame X. Reuniting her with producer Stuart Price, the album runs about 64 minutes in its core 12-track non-stop mix (with expanded 16- and 17-track digital editions) and is structured like a continuous DJ set, each song flowing into the next to create an unbroken club experience. Musically, it draws from pop, disco, house, Eurodance, and downtempo, with critics noting echoes of classic tracks like Donna Summer’s I Feel Love and breakbeats like Apache woven into a thoroughly modern, high-gloss sound that Rolling Stone has called her best album in 20 years.

Lyrically and thematically, Confessions II revisits the idea of the dance floor as a “sacred,” ritual space where movement becomes a form of prayer, but filters it through Madonna’s present-day reflections on freedom, escapism, self-realization, grief, spirituality, and the long arc of her career. Songs like I Feel So Free, Good for the Soul, and One Step Away open the album as a 12-minute triptych about emotional need and liberation; Danceteria and School function as memoiristic nods to her early 80s New York years; Fragile mourns her late brother Christopher; and The Test, a duet with her daughter Lourdes Leon, grapples with the costs of raising a child in the glare of fame. A slate of high-profile collaborators—Sabrina Carpenter on Bring Your Love, Stromae on the Catholic-themed My Sins Are My Savior, Feid on Read My Lips, and Martin Garrix on the rave-leaning Bizarre—help tie her personal narratives to a broader, contemporary dance-pop context, while the album’s nonstop sequencing and multiple colored-vinyl editions underscore its identity as both a club-ready statement and a nostalgic, forward-looking continuation of one of her most beloved eras.

Confessions II is Madonna’s fifteenth studio album and a direct sequel to her acclaimed 2005 dance record Confessions on a Dance Floor, released on July 3, 2026 through Warner Records after a seven-year gap since Madame X. Reuniting her with producer Stuart Price, the album runs about 64 minutes in its core 12-track non-stop mix (with expanded 16- and 17-track digital editions) and is structured like a continuous DJ set, each song flowing into the next to create an unbroken club experience. Musically, it draws from pop, disco, house, Eurodance, and downtempo, with critics noting echoes of classic tracks like Donna Summer’s I Feel Love and breakbeats like Apache woven into a thoroughly modern, high-gloss sound that Rolling Stone has called her best album in 20 years.

Lyrically and thematically, Confessions II revisits the idea of the dance floor as a “sacred,” ritual space where movement becomes a form of prayer, but filters it through Madonna’s present-day reflections on freedom, escapism, self-realization, grief, spirituality, and the long arc of her career. Songs like I Feel So Free, Good for the Soul, and One Step Away open the album as a 12-minute triptych about emotional need and liberation; Danceteria and School function as memoiristic nods to her early 80s New York years; Fragile mourns her late brother Christopher; and The Test, a duet with her daughter Lourdes Leon, grapples with the costs of raising a child in the glare of fame. A slate of high-profile collaborators—Sabrina Carpenter on Bring Your Love, Stromae on the Catholic-themed My Sins Are My Savior, Feid on Read My Lips, and Martin Garrix on the rave-leaning Bizarre—help tie her personal narratives to a broader, contemporary dance-pop context, while the album’s nonstop sequencing and multiple colored-vinyl editions underscore its identity as both a club-ready statement and a nostalgic, forward-looking continuation of one of her most beloved eras.

Confessions II is Madonna’s fifteenth studio album and a direct sequel to her acclaimed 2005 dance record Confessions on a Dance Floor, released on July 3, 2026 through Warner Records after a seven-year gap since Madame X. Reuniting her with producer Stuart Price, the album runs about 64 minutes in its core 12-track non-stop mix (with expanded 16- and 17-track digital editions) and is structured like a continuous DJ set, each song flowing into the next to create an unbroken club experience. Musically, it draws from pop, disco, house, Eurodance, and downtempo, with critics noting echoes of classic tracks like Donna Summer’s I Feel Love and breakbeats like Apache woven into a thoroughly modern, high-gloss sound that Rolling Stone has called her best album in 20 years.

Lyrically and thematically, Confessions II revisits the idea of the dance floor as a “sacred,” ritual space where movement becomes a form of prayer, but filters it through Madonna’s present-day reflections on freedom, escapism, self-realization, grief, spirituality, and the long arc of her career. Songs like I Feel So Free, Good for the Soul, and One Step Away open the album as a 12-minute triptych about emotional need and liberation; Danceteria and School function as memoiristic nods to her early 80s New York years; Fragile mourns her late brother Christopher; and The Test, a duet with her daughter Lourdes Leon, grapples with the costs of raising a child in the glare of fame. A slate of high-profile collaborators—Sabrina Carpenter on Bring Your Love, Stromae on the Catholic-themed My Sins Are My Savior, Feid on Read My Lips, and Martin Garrix on the rave-leaning Bizarre—help tie her personal narratives to a broader, contemporary dance-pop context, while the album’s nonstop sequencing and multiple colored-vinyl editions underscore its identity as both a club-ready statement and a nostalgic, forward-looking continuation of one of her most beloved eras.

Confessions II is Madonna’s fifteenth studio album and a direct sequel to her acclaimed 2005 dance record Confessions on a Dance Floor, released on July 3, 2026 through Warner Records after a seven-year gap since Madame X. Reuniting her with producer Stuart Price, the album runs about 64 minutes in its core 12-track non-stop mix (with expanded 16- and 17-track digital editions) and is structured like a continuous DJ set, each song flowing into the next to create an unbroken club experience. Musically, it draws from pop, disco, house, Eurodance, and downtempo, with critics noting echoes of classic tracks like Donna Summer’s I Feel Love and breakbeats like Apache woven into a thoroughly modern, high-gloss sound that Rolling Stone has called her best album in 20 years.

Lyrically and thematically, Confessions II revisits the idea of the dance floor as a “sacred,” ritual space where movement becomes a form of prayer, but filters it through Madonna’s present-day reflections on freedom, escapism, self-realization, grief, spirituality, and the long arc of her career. Songs like I Feel So Free, Good for the Soul, and One Step Away open the album as a 12-minute triptych about emotional need and liberation; Danceteria and School function as memoiristic nods to her early 80s New York years; Fragile mourns her late brother Christopher; and The Test, a duet with her daughter Lourdes Leon, grapples with the costs of raising a child in the glare of fame. A slate of high-profile collaborators—Sabrina Carpenter on Bring Your Love, Stromae on the Catholic-themed My Sins Are My Savior, Feid on Read My Lips, and Martin Garrix on the rave-leaning Bizarre—help tie her personal narratives to a broader, contemporary dance-pop context, while the album’s nonstop sequencing and multiple colored-vinyl editions underscore its identity as both a club-ready statement and a nostalgic, forward-looking continuation of one of her most beloved eras.

Confessions II is Madonna’s fifteenth studio album and a direct sequel to her acclaimed 2005 dance record Confessions on a Dance Floor, released on July 3, 2026 through Warner Records after a seven-year gap since Madame X. Reuniting her with producer Stuart Price, the album runs about 64 minutes in its core 12-track non-stop mix (with expanded 16- and 17-track digital editions) and is structured like a continuous DJ set, each song flowing into the next to create an unbroken club experience. Musically, it draws from pop, disco, house, Eurodance, and downtempo, with critics noting echoes of classic tracks like Donna Summer’s I Feel Love and breakbeats like Apache woven into a thoroughly modern, high-gloss sound that Rolling Stone has called her best album in 20 years.

Lyrically and thematically, Confessions II revisits the idea of the dance floor as a “sacred,” ritual space where movement becomes a form of prayer, but filters it through Madonna’s present-day reflections on freedom, escapism, self-realization, grief, spirituality, and the long arc of her career. Songs like I Feel So Free, Good for the Soul, and One Step Away open the album as a 12-minute triptych about emotional need and liberation; Danceteria and School function as memoiristic nods to her early 80s New York years; Fragile mourns her late brother Christopher; and The Test, a duet with her daughter Lourdes Leon, grapples with the costs of raising a child in the glare of fame. A slate of high-profile collaborators—Sabrina Carpenter on Bring Your Love, Stromae on the Catholic-themed My Sins Are My Savior, Feid on Read My Lips, and Martin Garrix on the rave-leaning Bizarre—help tie her personal narratives to a broader, contemporary dance-pop context, while the album’s nonstop sequencing and multiple colored-vinyl editions underscore its identity as both a club-ready statement and a nostalgic, forward-looking continuation of one of her most beloved eras.

Details
detail icon barcode
Barcode :
0093624822448 0093624822783 0093624822349 0093624822417 0093624822356
detail icon publisher
Publisher :
Warner Records Warner Records Warner Records Warner Records Warner Records
detail icon genre
Genre :
Dance
Product Dimensions
detail icon width
Length x Width x Height :
12.5 x 12.5 x 0.5 in 12.5 x 12.5 x 0.5 in 6 x 5.2 x 0.5 in 12.5 x 12.5 x 0.5 in 6 x 5.2 x 0.5 in
detail icon weight
Weight :
250 g 250 g 120 g 500 g 90 g

Confessions II

Madonna

Sale - Sale price $42.99 CAD Regular price
Regular price $42.99 CAD
Sold Out
Shipping calculated at checkout.
Sale - Sale price $42.99 CAD Regular price
Regular price $42.99 CAD
Sold Out
Shipping calculated at checkout.
Sale - Sale price $47.99 CAD Regular price
Regular price $47.99 CAD
Sold Out
Shipping calculated at checkout.
Sale - Sale price $62.99 CAD Regular price
Regular price $62.99 CAD
Sold Out
Shipping calculated at checkout.
Sale - Sale price $13.99 CAD Regular price
Regular price $13.99 CAD
Sold Out
Shipping calculated at checkout.
Description

Confessions II is Madonna’s fifteenth studio album and a direct sequel to her acclaimed 2005 dance record Confessions on a Dance Floor, released on July 3, 2026 through Warner Records after a seven-year gap since Madame X. Reuniting her with producer Stuart Price, the album runs about 64 minutes in its core 12-track non-stop mix (with expanded 16- and 17-track digital editions) and is structured like a continuous DJ set, each song flowing into the next to create an unbroken club experience. Musically, it draws from pop, disco, house, Eurodance, and downtempo, with critics noting echoes of classic tracks like Donna Summer’s I Feel Love and breakbeats like Apache woven into a thoroughly modern, high-gloss sound that Rolling Stone has called her best album in 20 years.

Lyrically and thematically, Confessions II revisits the idea of the dance floor as a “sacred,” ritual space where movement becomes a form of prayer, but filters it through Madonna’s present-day reflections on freedom, escapism, self-realization, grief, spirituality, and the long arc of her career. Songs like I Feel So Free, Good for the Soul, and One Step Away open the album as a 12-minute triptych about emotional need and liberation; Danceteria and School function as memoiristic nods to her early 80s New York years; Fragile mourns her late brother Christopher; and The Test, a duet with her daughter Lourdes Leon, grapples with the costs of raising a child in the glare of fame. A slate of high-profile collaborators—Sabrina Carpenter on Bring Your Love, Stromae on the Catholic-themed My Sins Are My Savior, Feid on Read My Lips, and Martin Garrix on the rave-leaning Bizarre—help tie her personal narratives to a broader, contemporary dance-pop context, while the album’s nonstop sequencing and multiple colored-vinyl editions underscore its identity as both a club-ready statement and a nostalgic, forward-looking continuation of one of her most beloved eras.

Confessions II is Madonna’s fifteenth studio album and a direct sequel to her acclaimed 2005 dance record Confessions on a Dance Floor, released on July 3, 2026 through Warner Records after a seven-year gap since Madame X. Reuniting her with producer Stuart Price, the album runs about 64 minutes in its core 12-track non-stop mix (with expanded 16- and 17-track digital editions) and is structured like a continuous DJ set, each song flowing into the next to create an unbroken club experience. Musically, it draws from pop, disco, house, Eurodance, and downtempo, with critics noting echoes of classic tracks like Donna Summer’s I Feel Love and breakbeats like Apache woven into a thoroughly modern, high-gloss sound that Rolling Stone has called her best album in 20 years.

Lyrically and thematically, Confessions II revisits the idea of the dance floor as a “sacred,” ritual space where movement becomes a form of prayer, but filters it through Madonna’s present-day reflections on freedom, escapism, self-realization, grief, spirituality, and the long arc of her career. Songs like I Feel So Free, Good for the Soul, and One Step Away open the album as a 12-minute triptych about emotional need and liberation; Danceteria and School function as memoiristic nods to her early 80s New York years; Fragile mourns her late brother Christopher; and The Test, a duet with her daughter Lourdes Leon, grapples with the costs of raising a child in the glare of fame. A slate of high-profile collaborators—Sabrina Carpenter on Bring Your Love, Stromae on the Catholic-themed My Sins Are My Savior, Feid on Read My Lips, and Martin Garrix on the rave-leaning Bizarre—help tie her personal narratives to a broader, contemporary dance-pop context, while the album’s nonstop sequencing and multiple colored-vinyl editions underscore its identity as both a club-ready statement and a nostalgic, forward-looking continuation of one of her most beloved eras.

Confessions II is Madonna’s fifteenth studio album and a direct sequel to her acclaimed 2005 dance record Confessions on a Dance Floor, released on July 3, 2026 through Warner Records after a seven-year gap since Madame X. Reuniting her with producer Stuart Price, the album runs about 64 minutes in its core 12-track non-stop mix (with expanded 16- and 17-track digital editions) and is structured like a continuous DJ set, each song flowing into the next to create an unbroken club experience. Musically, it draws from pop, disco, house, Eurodance, and downtempo, with critics noting echoes of classic tracks like Donna Summer’s I Feel Love and breakbeats like Apache woven into a thoroughly modern, high-gloss sound that Rolling Stone has called her best album in 20 years.

Lyrically and thematically, Confessions II revisits the idea of the dance floor as a “sacred,” ritual space where movement becomes a form of prayer, but filters it through Madonna’s present-day reflections on freedom, escapism, self-realization, grief, spirituality, and the long arc of her career. Songs like I Feel So Free, Good for the Soul, and One Step Away open the album as a 12-minute triptych about emotional need and liberation; Danceteria and School function as memoiristic nods to her early 80s New York years; Fragile mourns her late brother Christopher; and The Test, a duet with her daughter Lourdes Leon, grapples with the costs of raising a child in the glare of fame. A slate of high-profile collaborators—Sabrina Carpenter on Bring Your Love, Stromae on the Catholic-themed My Sins Are My Savior, Feid on Read My Lips, and Martin Garrix on the rave-leaning Bizarre—help tie her personal narratives to a broader, contemporary dance-pop context, while the album’s nonstop sequencing and multiple colored-vinyl editions underscore its identity as both a club-ready statement and a nostalgic, forward-looking continuation of one of her most beloved eras.

Confessions II is Madonna’s fifteenth studio album and a direct sequel to her acclaimed 2005 dance record Confessions on a Dance Floor, released on July 3, 2026 through Warner Records after a seven-year gap since Madame X. Reuniting her with producer Stuart Price, the album runs about 64 minutes in its core 12-track non-stop mix (with expanded 16- and 17-track digital editions) and is structured like a continuous DJ set, each song flowing into the next to create an unbroken club experience. Musically, it draws from pop, disco, house, Eurodance, and downtempo, with critics noting echoes of classic tracks like Donna Summer’s I Feel Love and breakbeats like Apache woven into a thoroughly modern, high-gloss sound that Rolling Stone has called her best album in 20 years.

Lyrically and thematically, Confessions II revisits the idea of the dance floor as a “sacred,” ritual space where movement becomes a form of prayer, but filters it through Madonna’s present-day reflections on freedom, escapism, self-realization, grief, spirituality, and the long arc of her career. Songs like I Feel So Free, Good for the Soul, and One Step Away open the album as a 12-minute triptych about emotional need and liberation; Danceteria and School function as memoiristic nods to her early 80s New York years; Fragile mourns her late brother Christopher; and The Test, a duet with her daughter Lourdes Leon, grapples with the costs of raising a child in the glare of fame. A slate of high-profile collaborators—Sabrina Carpenter on Bring Your Love, Stromae on the Catholic-themed My Sins Are My Savior, Feid on Read My Lips, and Martin Garrix on the rave-leaning Bizarre—help tie her personal narratives to a broader, contemporary dance-pop context, while the album’s nonstop sequencing and multiple colored-vinyl editions underscore its identity as both a club-ready statement and a nostalgic, forward-looking continuation of one of her most beloved eras.

Confessions II is Madonna’s fifteenth studio album and a direct sequel to her acclaimed 2005 dance record Confessions on a Dance Floor, released on July 3, 2026 through Warner Records after a seven-year gap since Madame X. Reuniting her with producer Stuart Price, the album runs about 64 minutes in its core 12-track non-stop mix (with expanded 16- and 17-track digital editions) and is structured like a continuous DJ set, each song flowing into the next to create an unbroken club experience. Musically, it draws from pop, disco, house, Eurodance, and downtempo, with critics noting echoes of classic tracks like Donna Summer’s I Feel Love and breakbeats like Apache woven into a thoroughly modern, high-gloss sound that Rolling Stone has called her best album in 20 years.

Lyrically and thematically, Confessions II revisits the idea of the dance floor as a “sacred,” ritual space where movement becomes a form of prayer, but filters it through Madonna’s present-day reflections on freedom, escapism, self-realization, grief, spirituality, and the long arc of her career. Songs like I Feel So Free, Good for the Soul, and One Step Away open the album as a 12-minute triptych about emotional need and liberation; Danceteria and School function as memoiristic nods to her early 80s New York years; Fragile mourns her late brother Christopher; and The Test, a duet with her daughter Lourdes Leon, grapples with the costs of raising a child in the glare of fame. A slate of high-profile collaborators—Sabrina Carpenter on Bring Your Love, Stromae on the Catholic-themed My Sins Are My Savior, Feid on Read My Lips, and Martin Garrix on the rave-leaning Bizarre—help tie her personal narratives to a broader, contemporary dance-pop context, while the album’s nonstop sequencing and multiple colored-vinyl editions underscore its identity as both a club-ready statement and a nostalgic, forward-looking continuation of one of her most beloved eras.

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