
Decay
Godflesh$30.99 CAD
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Description
Godflesh’s Decay is the industrial-metal duo’s tenth studio album, released September 25, 2026, and drawn from the same sessions as 2023’s Purge. Its six tracks run approximately 42 minutes, combining Justin Broadrick’s grinding guitars and distressed vocals with Ben Green’s distorted bass and rigidly programmed percussion. Its defining quality is erosion: riffs repeat until their edges blur into drones, while mechanical rhythms make the music feel both physically oppressive and strangely hypnotic. Compared with Purge, the record places greater emphasis on sustained atmosphere and extended structures, allowing fragile, comparatively melodic vocals to emerge inside the distortion rather than maintaining an uninterrupted assault.
“Master and Slave” opens with nearly nine minutes of pounding rhythm, abrasive synthesizers, and croaking vocals before drifting toward a hazier guitar landscape. “Living/Ending” concentrates that tension into a more direct groove, alternating full-throated snarls with labored breaths, while “Feral Colony” brings a relentless electronic pulse to its detuned guitars and murky low end. “Fear of Man” contrasts crushing percussion with digitally smeared melodic singing, and “Fodder” unsettles its rhythm through sliding, apparently detuning guitar figures and a more exposed vocal presence. The closing “Consume Me” stretches beyond 11 minutes, passing through a haunting interlude before returning with increasingly overwhelming distortion. Together, the two extended bookends occupy almost half the album, framing its shorter, groove-driven tracks within a larger movement from controlled repetition toward engulfing noise.
Godflesh’s Decay is the industrial-metal duo’s tenth studio album, released September 25, 2026, and drawn from the same sessions as 2023’s Purge. Its six tracks run approximately 42 minutes, combining Justin Broadrick’s grinding guitars and distressed vocals with Ben Green’s distorted bass and rigidly programmed percussion. Its defining quality is erosion: riffs repeat until their edges blur into drones, while mechanical rhythms make the music feel both physically oppressive and strangely hypnotic. Compared with Purge, the record places greater emphasis on sustained atmosphere and extended structures, allowing fragile, comparatively melodic vocals to emerge inside the distortion rather than maintaining an uninterrupted assault.
“Master and Slave” opens with nearly nine minutes of pounding rhythm, abrasive synthesizers, and croaking vocals before drifting toward a hazier guitar landscape. “Living/Ending” concentrates that tension into a more direct groove, alternating full-throated snarls with labored breaths, while “Feral Colony” brings a relentless electronic pulse to its detuned guitars and murky low end. “Fear of Man” contrasts crushing percussion with digitally smeared melodic singing, and “Fodder” unsettles its rhythm through sliding, apparently detuning guitar figures and a more exposed vocal presence. The closing “Consume Me” stretches beyond 11 minutes, passing through a haunting interlude before returning with increasingly overwhelming distortion. Together, the two extended bookends occupy almost half the album, framing its shorter, groove-driven tracks within a larger movement from controlled repetition toward engulfing noise.
Details
- Barcode
- 0781676765812
- Publisher
- Relapse
- Barcode
- 0781676765829
- Publisher
- Relapse
- Genre
- Metal
- Released
- 20260925
- Released
- 20260925
Dimensions
- L × W × H
- 12.5 × 12.5 × 0.5 in
- Weight
- 250 g
- L × W × H
- 6 × 5.2 × 0.5 in
- Weight
- 90 g
