Half Moon
Maggie Rose
Maggie Rose’s Half Moon is a 10-song album that stretches her Nashville-rooted artistry into a more expansive world of soul, Americana, rock, orchestral pop, and R&B. Released in August 2026 on her One Riot Records imprint, it was written and produced with Daniel Tashian and Lawrence Rothman, whose wide-screen arrangements frame Rose’s powerful, agile voice without diminishing its intimacy. The record opens with the slow-burning “Used To It,” then moves through the free-spirited groove of “Red Shoes,” the soulful “Weekend Lover,” and the cinematic pull of “The Mission,” establishing a sound that is polished, emotive, and deliberately broad in scope.
The moon imagery reflects the record’s main idea: identity is multifaceted, and different parts of the self emerge under different conditions. Written during a period that included the birth of Rose’s first child, Half Moon balances vulnerability and reflection with independence, sensuality, pleasure, confidence, and hope. Songs such as “The Other Woman,” “Everything’s Changed,” “Hiding in Plain Sight,” “Gentle Man,” and “This Life” move between self-examination and celebration, while Rose’s commanding performance holds together the album’s shifts in style. Rather than a traditional country record, Half Moon presents her as a genre-fluid singer-songwriter using ambitious production and direct emotional writing to portray personal transformation in all its contradictory phases.
Maggie Rose’s Half Moon is a 10-song album that stretches her Nashville-rooted artistry into a more expansive world of soul, Americana, rock, orchestral pop, and R&B. Released in August 2026 on her One Riot Records imprint, it was written and produced with Daniel Tashian and Lawrence Rothman, whose wide-screen arrangements frame Rose’s powerful, agile voice without diminishing its intimacy. The record opens with the slow-burning “Used To It,” then moves through the free-spirited groove of “Red Shoes,” the soulful “Weekend Lover,” and the cinematic pull of “The Mission,” establishing a sound that is polished, emotive, and deliberately broad in scope.
The moon imagery reflects the record’s main idea: identity is multifaceted, and different parts of the self emerge under different conditions. Written during a period that included the birth of Rose’s first child, Half Moon balances vulnerability and reflection with independence, sensuality, pleasure, confidence, and hope. Songs such as “The Other Woman,” “Everything’s Changed,” “Hiding in Plain Sight,” “Gentle Man,” and “This Life” move between self-examination and celebration, while Rose’s commanding performance holds together the album’s shifts in style. Rather than a traditional country record, Half Moon presents her as a genre-fluid singer-songwriter using ambitious production and direct emotional writing to portray personal transformation in all its contradictory phases.
Half Moon
Maggie Rose
Maggie Rose’s Half Moon is a 10-song album that stretches her Nashville-rooted artistry into a more expansive world of soul, Americana, rock, orchestral pop, and R&B. Released in August 2026 on her One Riot Records imprint, it was written and produced with Daniel Tashian and Lawrence Rothman, whose wide-screen arrangements frame Rose’s powerful, agile voice without diminishing its intimacy. The record opens with the slow-burning “Used To It,” then moves through the free-spirited groove of “Red Shoes,” the soulful “Weekend Lover,” and the cinematic pull of “The Mission,” establishing a sound that is polished, emotive, and deliberately broad in scope.
The moon imagery reflects the record’s main idea: identity is multifaceted, and different parts of the self emerge under different conditions. Written during a period that included the birth of Rose’s first child, Half Moon balances vulnerability and reflection with independence, sensuality, pleasure, confidence, and hope. Songs such as “The Other Woman,” “Everything’s Changed,” “Hiding in Plain Sight,” “Gentle Man,” and “This Life” move between self-examination and celebration, while Rose’s commanding performance holds together the album’s shifts in style. Rather than a traditional country record, Half Moon presents her as a genre-fluid singer-songwriter using ambitious production and direct emotional writing to portray personal transformation in all its contradictory phases.
Maggie Rose’s Half Moon is a 10-song album that stretches her Nashville-rooted artistry into a more expansive world of soul, Americana, rock, orchestral pop, and R&B. Released in August 2026 on her One Riot Records imprint, it was written and produced with Daniel Tashian and Lawrence Rothman, whose wide-screen arrangements frame Rose’s powerful, agile voice without diminishing its intimacy. The record opens with the slow-burning “Used To It,” then moves through the free-spirited groove of “Red Shoes,” the soulful “Weekend Lover,” and the cinematic pull of “The Mission,” establishing a sound that is polished, emotive, and deliberately broad in scope.
The moon imagery reflects the record’s main idea: identity is multifaceted, and different parts of the self emerge under different conditions. Written during a period that included the birth of Rose’s first child, Half Moon balances vulnerability and reflection with independence, sensuality, pleasure, confidence, and hope. Songs such as “The Other Woman,” “Everything’s Changed,” “Hiding in Plain Sight,” “Gentle Man,” and “This Life” move between self-examination and celebration, while Rose’s commanding performance holds together the album’s shifts in style. Rather than a traditional country record, Half Moon presents her as a genre-fluid singer-songwriter using ambitious production and direct emotional writing to portray personal transformation in all its contradictory phases.