I'm The Problem

Morgan Wallen

Sale - Sale price $63.99 CAD Regular price
Regular price $63.99 CAD
Sold Out
Shipping calculated at checkout.
Sale - Sale price $63.99 CAD Regular price
Regular price $63.99 CAD
Sold Out
Shipping calculated at checkout.
Sale - Sale price $28.99 CAD Regular price
Regular price $28.99 CAD
Sold Out
Shipping calculated at checkout.
Description

I’m The Problem is Morgan Wallen’s fourth studio album, released on May 16, 2025 through Big Loud, Republic, and Mercury Records. At 37 tracks and nearly 1 hour 57 minutes, it’s his longest and most expansive project to date, surpassing One Thing at a Time in both length and song count. Written and recorded largely at his farm outside Nashville rather than in big studios, the album leans into a more reflective, self‑examining tone while still using the Joey Moi–helmed pop‑country sound that made Wallen a streaming powerhouse. Musically it blends straight-ahead country, country‑pop, and country‑rock with touches of “dirt‑rock” and alternative‑indie influences, and includes collaborations with Eric Church, Hardy, Ernest, Post Malone, and pop singer Tate McRae.

Conceptually, the record positions Wallen as both narrator and subject of the “problem,” tying his turbulent public image and messy relationships into an overt theme of flawed self‑awareness. It opens with the title track “I’m The Problem,” a moody song about a relationship doomed by his own behavior, and runs through singles and standouts like “Lies Lies Lies,” “Love Somebody,” “Smile,” “Superman,” “Just In Case,” “I Ain’t Comin’ Back,” “What I Want,” and closer “I’m a Little Crazy,” which circles back to his image as a “coyote in a field of wolves.” Lyrically the album revisits familiar terrain—failed relationships, drunken regrets, late‑night drives, Tennessee roots—but with more direct, sometimes defensive confessionals that scrutinize fame, controversy, and personal responsibility. Commercially, it debuted at number 1 on the Billboard 200, moved roughly 493,000 album‑equivalent units in its first week, and went on to multi‑Platinum certification, reinforcing Wallen’s status as one of the dominant figures in contemporary country even as the album’s sheer size and repetitive themes drew polarized critical reactions.

I’m The Problem is Morgan Wallen’s fourth studio album, released on May 16, 2025 through Big Loud, Republic, and Mercury Records. At 37 tracks and nearly 1 hour 57 minutes, it’s his longest and most expansive project to date, surpassing One Thing at a Time in both length and song count. Written and recorded largely at his farm outside Nashville rather than in big studios, the album leans into a more reflective, self‑examining tone while still using the Joey Moi–helmed pop‑country sound that made Wallen a streaming powerhouse. Musically it blends straight-ahead country, country‑pop, and country‑rock with touches of “dirt‑rock” and alternative‑indie influences, and includes collaborations with Eric Church, Hardy, Ernest, Post Malone, and pop singer Tate McRae.

Conceptually, the record positions Wallen as both narrator and subject of the “problem,” tying his turbulent public image and messy relationships into an overt theme of flawed self‑awareness. It opens with the title track “I’m The Problem,” a moody song about a relationship doomed by his own behavior, and runs through singles and standouts like “Lies Lies Lies,” “Love Somebody,” “Smile,” “Superman,” “Just In Case,” “I Ain’t Comin’ Back,” “What I Want,” and closer “I’m a Little Crazy,” which circles back to his image as a “coyote in a field of wolves.” Lyrically the album revisits familiar terrain—failed relationships, drunken regrets, late‑night drives, Tennessee roots—but with more direct, sometimes defensive confessionals that scrutinize fame, controversy, and personal responsibility. Commercially, it debuted at number 1 on the Billboard 200, moved roughly 493,000 album‑equivalent units in its first week, and went on to multi‑Platinum certification, reinforcing Wallen’s status as one of the dominant figures in contemporary country even as the album’s sheer size and repetitive themes drew polarized critical reactions.

I’m The Problem is Morgan Wallen’s fourth studio album, released on May 16, 2025 through Big Loud, Republic, and Mercury Records. At 37 tracks and nearly 1 hour 57 minutes, it’s his longest and most expansive project to date, surpassing One Thing at a Time in both length and song count. Written and recorded largely at his farm outside Nashville rather than in big studios, the album leans into a more reflective, self‑examining tone while still using the Joey Moi–helmed pop‑country sound that made Wallen a streaming powerhouse. Musically it blends straight-ahead country, country‑pop, and country‑rock with touches of “dirt‑rock” and alternative‑indie influences, and includes collaborations with Eric Church, Hardy, Ernest, Post Malone, and pop singer Tate McRae.

Conceptually, the record positions Wallen as both narrator and subject of the “problem,” tying his turbulent public image and messy relationships into an overt theme of flawed self‑awareness. It opens with the title track “I’m The Problem,” a moody song about a relationship doomed by his own behavior, and runs through singles and standouts like “Lies Lies Lies,” “Love Somebody,” “Smile,” “Superman,” “Just In Case,” “I Ain’t Comin’ Back,” “What I Want,” and closer “I’m a Little Crazy,” which circles back to his image as a “coyote in a field of wolves.” Lyrically the album revisits familiar terrain—failed relationships, drunken regrets, late‑night drives, Tennessee roots—but with more direct, sometimes defensive confessionals that scrutinize fame, controversy, and personal responsibility. Commercially, it debuted at number 1 on the Billboard 200, moved roughly 493,000 album‑equivalent units in its first week, and went on to multi‑Platinum certification, reinforcing Wallen’s status as one of the dominant figures in contemporary country even as the album’s sheer size and repetitive themes drew polarized critical reactions.

Details
detail icon barcode
Barcode :
0602475886372 0602475886396 0602475954682
detail icon publisher
Publisher :
Universal Records Republic Records (Universal) Republic Records (Universal)
detail icon genre
Genre :
Country
Product Dimensions
detail icon width
Length x Width x Height :
12.5 x 12.5 x 0.5 in 12.5 x 12.5 x 0.5 in 6 x 5.2 x 0.5 in
detail icon weight
Weight :
750 g 750 g 180 g

I'm The Problem

Morgan Wallen

Sale - Sale price $63.99 CAD Regular price
Regular price $63.99 CAD
Sold Out
Shipping calculated at checkout.
Sale - Sale price $63.99 CAD Regular price
Regular price $63.99 CAD
Sold Out
Shipping calculated at checkout.
Sale - Sale price $28.99 CAD Regular price
Regular price $28.99 CAD
Sold Out
Shipping calculated at checkout.
Description

I’m The Problem is Morgan Wallen’s fourth studio album, released on May 16, 2025 through Big Loud, Republic, and Mercury Records. At 37 tracks and nearly 1 hour 57 minutes, it’s his longest and most expansive project to date, surpassing One Thing at a Time in both length and song count. Written and recorded largely at his farm outside Nashville rather than in big studios, the album leans into a more reflective, self‑examining tone while still using the Joey Moi–helmed pop‑country sound that made Wallen a streaming powerhouse. Musically it blends straight-ahead country, country‑pop, and country‑rock with touches of “dirt‑rock” and alternative‑indie influences, and includes collaborations with Eric Church, Hardy, Ernest, Post Malone, and pop singer Tate McRae.

Conceptually, the record positions Wallen as both narrator and subject of the “problem,” tying his turbulent public image and messy relationships into an overt theme of flawed self‑awareness. It opens with the title track “I’m The Problem,” a moody song about a relationship doomed by his own behavior, and runs through singles and standouts like “Lies Lies Lies,” “Love Somebody,” “Smile,” “Superman,” “Just In Case,” “I Ain’t Comin’ Back,” “What I Want,” and closer “I’m a Little Crazy,” which circles back to his image as a “coyote in a field of wolves.” Lyrically the album revisits familiar terrain—failed relationships, drunken regrets, late‑night drives, Tennessee roots—but with more direct, sometimes defensive confessionals that scrutinize fame, controversy, and personal responsibility. Commercially, it debuted at number 1 on the Billboard 200, moved roughly 493,000 album‑equivalent units in its first week, and went on to multi‑Platinum certification, reinforcing Wallen’s status as one of the dominant figures in contemporary country even as the album’s sheer size and repetitive themes drew polarized critical reactions.

I’m The Problem is Morgan Wallen’s fourth studio album, released on May 16, 2025 through Big Loud, Republic, and Mercury Records. At 37 tracks and nearly 1 hour 57 minutes, it’s his longest and most expansive project to date, surpassing One Thing at a Time in both length and song count. Written and recorded largely at his farm outside Nashville rather than in big studios, the album leans into a more reflective, self‑examining tone while still using the Joey Moi–helmed pop‑country sound that made Wallen a streaming powerhouse. Musically it blends straight-ahead country, country‑pop, and country‑rock with touches of “dirt‑rock” and alternative‑indie influences, and includes collaborations with Eric Church, Hardy, Ernest, Post Malone, and pop singer Tate McRae.

Conceptually, the record positions Wallen as both narrator and subject of the “problem,” tying his turbulent public image and messy relationships into an overt theme of flawed self‑awareness. It opens with the title track “I’m The Problem,” a moody song about a relationship doomed by his own behavior, and runs through singles and standouts like “Lies Lies Lies,” “Love Somebody,” “Smile,” “Superman,” “Just In Case,” “I Ain’t Comin’ Back,” “What I Want,” and closer “I’m a Little Crazy,” which circles back to his image as a “coyote in a field of wolves.” Lyrically the album revisits familiar terrain—failed relationships, drunken regrets, late‑night drives, Tennessee roots—but with more direct, sometimes defensive confessionals that scrutinize fame, controversy, and personal responsibility. Commercially, it debuted at number 1 on the Billboard 200, moved roughly 493,000 album‑equivalent units in its first week, and went on to multi‑Platinum certification, reinforcing Wallen’s status as one of the dominant figures in contemporary country even as the album’s sheer size and repetitive themes drew polarized critical reactions.

I’m The Problem is Morgan Wallen’s fourth studio album, released on May 16, 2025 through Big Loud, Republic, and Mercury Records. At 37 tracks and nearly 1 hour 57 minutes, it’s his longest and most expansive project to date, surpassing One Thing at a Time in both length and song count. Written and recorded largely at his farm outside Nashville rather than in big studios, the album leans into a more reflective, self‑examining tone while still using the Joey Moi–helmed pop‑country sound that made Wallen a streaming powerhouse. Musically it blends straight-ahead country, country‑pop, and country‑rock with touches of “dirt‑rock” and alternative‑indie influences, and includes collaborations with Eric Church, Hardy, Ernest, Post Malone, and pop singer Tate McRae.

Conceptually, the record positions Wallen as both narrator and subject of the “problem,” tying his turbulent public image and messy relationships into an overt theme of flawed self‑awareness. It opens with the title track “I’m The Problem,” a moody song about a relationship doomed by his own behavior, and runs through singles and standouts like “Lies Lies Lies,” “Love Somebody,” “Smile,” “Superman,” “Just In Case,” “I Ain’t Comin’ Back,” “What I Want,” and closer “I’m a Little Crazy,” which circles back to his image as a “coyote in a field of wolves.” Lyrically the album revisits familiar terrain—failed relationships, drunken regrets, late‑night drives, Tennessee roots—but with more direct, sometimes defensive confessionals that scrutinize fame, controversy, and personal responsibility. Commercially, it debuted at number 1 on the Billboard 200, moved roughly 493,000 album‑equivalent units in its first week, and went on to multi‑Platinum certification, reinforcing Wallen’s status as one of the dominant figures in contemporary country even as the album’s sheer size and repetitive themes drew polarized critical reactions.

  • CD
  • Vinyl