In A Space Outta Dub
Nightmares On Wax vs Adrian Sherwood
Nightmares on Wax vs Adrian Sherwood’s In A Space Outta Dub is a 2026 dub reimagining of Nightmares on Wax’s 2006 album In A Space Outta Sound, created for the original record’s 20th anniversary. George Evelyn hands the material over to Adrian Sherwood, the influential On-U Sound producer, who reshapes eight tracks into a looser, deeper, more echo-soaked set of “version” excursions. The project keeps the warmth, soul, jazz, reggae, and downtempo character of the original while pushing it further into sound-system territory.
The album’s tracks, including “You Bliss,” “On Purpose,” “Flippin’ Eck,” “Positive Touch,” “Looking At You Dub,” and “Nyabinghi Dub,” emphasize bass weight, spacious percussion, delay, reverb, and subtle instrumental rearrangement. Rather than feeling like a standard remix album, In A Space Outta Dub works as a companion piece, drawing out the dub DNA already present in Nightmares on Wax’s music and letting Sherwood’s atmospheric production stretch it into something hazier and more immersive. It is a relaxed but richly textured listen, built for late-night rooms, deep speakers, and slow-motion head-nodding.
Nightmares on Wax vs Adrian Sherwood’s In A Space Outta Dub is a 2026 dub reimagining of Nightmares on Wax’s 2006 album In A Space Outta Sound, created for the original record’s 20th anniversary. George Evelyn hands the material over to Adrian Sherwood, the influential On-U Sound producer, who reshapes eight tracks into a looser, deeper, more echo-soaked set of “version” excursions. The project keeps the warmth, soul, jazz, reggae, and downtempo character of the original while pushing it further into sound-system territory.
The album’s tracks, including “You Bliss,” “On Purpose,” “Flippin’ Eck,” “Positive Touch,” “Looking At You Dub,” and “Nyabinghi Dub,” emphasize bass weight, spacious percussion, delay, reverb, and subtle instrumental rearrangement. Rather than feeling like a standard remix album, In A Space Outta Dub works as a companion piece, drawing out the dub DNA already present in Nightmares on Wax’s music and letting Sherwood’s atmospheric production stretch it into something hazier and more immersive. It is a relaxed but richly textured listen, built for late-night rooms, deep speakers, and slow-motion head-nodding.
In A Space Outta Dub
Nightmares On Wax vs Adrian Sherwood
Nightmares on Wax vs Adrian Sherwood’s In A Space Outta Dub is a 2026 dub reimagining of Nightmares on Wax’s 2006 album In A Space Outta Sound, created for the original record’s 20th anniversary. George Evelyn hands the material over to Adrian Sherwood, the influential On-U Sound producer, who reshapes eight tracks into a looser, deeper, more echo-soaked set of “version” excursions. The project keeps the warmth, soul, jazz, reggae, and downtempo character of the original while pushing it further into sound-system territory.
The album’s tracks, including “You Bliss,” “On Purpose,” “Flippin’ Eck,” “Positive Touch,” “Looking At You Dub,” and “Nyabinghi Dub,” emphasize bass weight, spacious percussion, delay, reverb, and subtle instrumental rearrangement. Rather than feeling like a standard remix album, In A Space Outta Dub works as a companion piece, drawing out the dub DNA already present in Nightmares on Wax’s music and letting Sherwood’s atmospheric production stretch it into something hazier and more immersive. It is a relaxed but richly textured listen, built for late-night rooms, deep speakers, and slow-motion head-nodding.
Nightmares on Wax vs Adrian Sherwood’s In A Space Outta Dub is a 2026 dub reimagining of Nightmares on Wax’s 2006 album In A Space Outta Sound, created for the original record’s 20th anniversary. George Evelyn hands the material over to Adrian Sherwood, the influential On-U Sound producer, who reshapes eight tracks into a looser, deeper, more echo-soaked set of “version” excursions. The project keeps the warmth, soul, jazz, reggae, and downtempo character of the original while pushing it further into sound-system territory.
The album’s tracks, including “You Bliss,” “On Purpose,” “Flippin’ Eck,” “Positive Touch,” “Looking At You Dub,” and “Nyabinghi Dub,” emphasize bass weight, spacious percussion, delay, reverb, and subtle instrumental rearrangement. Rather than feeling like a standard remix album, In A Space Outta Dub works as a companion piece, drawing out the dub DNA already present in Nightmares on Wax’s music and letting Sherwood’s atmospheric production stretch it into something hazier and more immersive. It is a relaxed but richly textured listen, built for late-night rooms, deep speakers, and slow-motion head-nodding.