Prima

Adéla’s Prima is the Slovak singer-songwriter’s 11-track debut album, a sharp, theatrical pop record that turns the pursuit of fame into both its subject and its aesthetic. Released in September 2026, the album mixes electropop, dance-pop, R&B, and flashes of hyperpop and industrial texture, pairing hard-edged club beats with bright hooks, processed vocals, and a knowingly oversized performance style. Its title carries a double meaning—“first,” fitting for a debut, and a reference to a prima ballerina—which connects the album’s ambition and precision to Adéla’s background in dance.

Across tracks including “KGB,” “Nicole Kidman,” “I’m the Man,” “Red Bottoms,” “Hitachi,” “Therapy,” and “Ain’t in LA,” Adéla presents pop stardom as seductive, competitive, funny, and emotionally costly. The record draws on the hedonistic shine of 2000s pop while addressing insecurity, toxic relationships, sexual agency, homesickness, industry cynicism, and self-invention; “Therapy,” in particular, offers a more vulnerable counterweight to the album’s brash exterior. Co-executive produced by Blake Slatkin and Dylan Brady, Prima succeeds as both a bold character-driven introduction and a candid account of a young artist trying to claim a place within the global pop world.