Sins Of The Father
Brantley Gilbert
Brantley Gilbert’s Sins of the Father is the Georgia singer-songwriter’s eighth studio album, released July 24, 2026, through BBR Music Group/BMG Nashville. The 15-track project retains his blend of modern country, Southern rock, and rugged heartland storytelling, but approaches it with more introspection than his rowdier anthems often suggest. Gilbert frames the album around inheritance—what people receive from family, community, faith, mistakes, and past versions of themselves—and uses that idea to explore addiction, fatherhood, small-town identity, love, regret, and personal change.
The record moves between hard-charging country-rock tracks such as “Good Damn,” “Mud on His Halo,” “Good Ol’ Boys,” “Copperheads,” and “Hell Yeah Boys,” and more vulnerable songs including “The Addiction,” “Driveway,” “Wild Like That,” and the title track. “Begging for Change,” featuring Jelly Roll, is one of its most direct examinations of struggle and redemption, while “Sins of the Father” and “Good Ol’ Boys” look at family legacy and masculine identity from contrasting angles. Closing with “Live Forever,” the album balances Gilbert’s familiar outlaw image with a more reflective perspective, making it a country-rock record about confronting one’s past without being fully defined by it.
Brantley Gilbert’s Sins of the Father is the Georgia singer-songwriter’s eighth studio album, released July 24, 2026, through BBR Music Group/BMG Nashville. The 15-track project retains his blend of modern country, Southern rock, and rugged heartland storytelling, but approaches it with more introspection than his rowdier anthems often suggest. Gilbert frames the album around inheritance—what people receive from family, community, faith, mistakes, and past versions of themselves—and uses that idea to explore addiction, fatherhood, small-town identity, love, regret, and personal change.
The record moves between hard-charging country-rock tracks such as “Good Damn,” “Mud on His Halo,” “Good Ol’ Boys,” “Copperheads,” and “Hell Yeah Boys,” and more vulnerable songs including “The Addiction,” “Driveway,” “Wild Like That,” and the title track. “Begging for Change,” featuring Jelly Roll, is one of its most direct examinations of struggle and redemption, while “Sins of the Father” and “Good Ol’ Boys” look at family legacy and masculine identity from contrasting angles. Closing with “Live Forever,” the album balances Gilbert’s familiar outlaw image with a more reflective perspective, making it a country-rock record about confronting one’s past without being fully defined by it.
Sins Of The Father
Brantley Gilbert
Brantley Gilbert’s Sins of the Father is the Georgia singer-songwriter’s eighth studio album, released July 24, 2026, through BBR Music Group/BMG Nashville. The 15-track project retains his blend of modern country, Southern rock, and rugged heartland storytelling, but approaches it with more introspection than his rowdier anthems often suggest. Gilbert frames the album around inheritance—what people receive from family, community, faith, mistakes, and past versions of themselves—and uses that idea to explore addiction, fatherhood, small-town identity, love, regret, and personal change.
The record moves between hard-charging country-rock tracks such as “Good Damn,” “Mud on His Halo,” “Good Ol’ Boys,” “Copperheads,” and “Hell Yeah Boys,” and more vulnerable songs including “The Addiction,” “Driveway,” “Wild Like That,” and the title track. “Begging for Change,” featuring Jelly Roll, is one of its most direct examinations of struggle and redemption, while “Sins of the Father” and “Good Ol’ Boys” look at family legacy and masculine identity from contrasting angles. Closing with “Live Forever,” the album balances Gilbert’s familiar outlaw image with a more reflective perspective, making it a country-rock record about confronting one’s past without being fully defined by it.
Brantley Gilbert’s Sins of the Father is the Georgia singer-songwriter’s eighth studio album, released July 24, 2026, through BBR Music Group/BMG Nashville. The 15-track project retains his blend of modern country, Southern rock, and rugged heartland storytelling, but approaches it with more introspection than his rowdier anthems often suggest. Gilbert frames the album around inheritance—what people receive from family, community, faith, mistakes, and past versions of themselves—and uses that idea to explore addiction, fatherhood, small-town identity, love, regret, and personal change.
The record moves between hard-charging country-rock tracks such as “Good Damn,” “Mud on His Halo,” “Good Ol’ Boys,” “Copperheads,” and “Hell Yeah Boys,” and more vulnerable songs including “The Addiction,” “Driveway,” “Wild Like That,” and the title track. “Begging for Change,” featuring Jelly Roll, is one of its most direct examinations of struggle and redemption, while “Sins of the Father” and “Good Ol’ Boys” look at family legacy and masculine identity from contrasting angles. Closing with “Live Forever,” the album balances Gilbert’s familiar outlaw image with a more reflective perspective, making it a country-rock record about confronting one’s past without being fully defined by it.