Sol.Hz
Seefeel
Sol.Hz is the fifth studio album by British electronic post-rock group Seefeel — built around the productions of Mark Clifford and the treated vocals of Sarah Peacock — released on May 1, 2026 via Warp Records, their first full-length in fifteen years and the first since their self-titled 2011 album. The band had re-emerged in 2024 with two critically received mini-albums, Everything Squared and Squared Roots, but Sol.Hz represents the full-length statement Clifford had always intended to follow them. Described in press materials as the group's "dub" album, the nine-track, 42-minute record was recorded at Polyfusia and Church Road Studios, with its title translating loosely as "sun plus electricity" — though Warp have kept the precise meaning deliberately open. Seefeel were one of the first guitar-based groups signed to Warp, gaining their footing with the influential 1993 debut Quique and 1995's Succour, and their influence has been cited by a newer generation of artists including Maria Somerville and Yu Su.
Sonically, Sol.Hz pushes further into dissolution than any prior Seefeel record. PopMatters describes the album as less interested in constructing songs than "sustaining a shifting field of texture, where familiar signposts dissolve as quickly as they emerge" — any guitar presence reduced to incidental feedback or indistinct harmonic bleed, percussion restrained and often improvised-sounding, "like found objects struck rather than a coherent kit." The opening track "Brazen Haze" emerges from silence rather than beginning, creeping into the headphones with triangular waveforms of melody floating beneath searing white noise, while Sarah Peacock's manipulated vocals — when they appear, as on "Ever No Way" — provide what Freq calls "a sudden calm surprise" that maintains "an anchorage in the human." The controlled, cavernous low-end of the dub influence runs through the album's foundations alongside pulsing, IDM-indebted rhythmic patterns, while tracks like "AM Flares," "Falling First," and "Behind The Seen" extend the sense of deep-space drift.
Sol.Hz
Seefeel
Sol.Hz is the fifth studio album by British electronic post-rock group Seefeel — built around the productions of Mark Clifford and the treated vocals of Sarah Peacock — released on May 1, 2026 via Warp Records, their first full-length in fifteen years and the first since their self-titled 2011 album. The band had re-emerged in 2024 with two critically received mini-albums, Everything Squared and Squared Roots, but Sol.Hz represents the full-length statement Clifford had always intended to follow them. Described in press materials as the group's "dub" album, the nine-track, 42-minute record was recorded at Polyfusia and Church Road Studios, with its title translating loosely as "sun plus electricity" — though Warp have kept the precise meaning deliberately open. Seefeel were one of the first guitar-based groups signed to Warp, gaining their footing with the influential 1993 debut Quique and 1995's Succour, and their influence has been cited by a newer generation of artists including Maria Somerville and Yu Su.
Sonically, Sol.Hz pushes further into dissolution than any prior Seefeel record. PopMatters describes the album as less interested in constructing songs than "sustaining a shifting field of texture, where familiar signposts dissolve as quickly as they emerge" — any guitar presence reduced to incidental feedback or indistinct harmonic bleed, percussion restrained and often improvised-sounding, "like found objects struck rather than a coherent kit." The opening track "Brazen Haze" emerges from silence rather than beginning, creeping into the headphones with triangular waveforms of melody floating beneath searing white noise, while Sarah Peacock's manipulated vocals — when they appear, as on "Ever No Way" — provide what Freq calls "a sudden calm surprise" that maintains "an anchorage in the human." The controlled, cavernous low-end of the dub influence runs through the album's foundations alongside pulsing, IDM-indebted rhythmic patterns, while tracks like "AM Flares," "Falling First," and "Behind The Seen" extend the sense of deep-space drift.