Something Beautiful
Miley Cyrus
Miley Cyrus’s Something Beautiful is her ninth studio album and a full-length visual project, released on May 30, 2025 via Columbia Records and accompanied by a musical film of the same name on June 6, 2025. Conceived as a concept/visual album in the lineage of works like Pink Floyd’s The Wall, it unfolds over 13 tracks (expanded on a later deluxe edition) as a kind of pop opera that blends psychedelic rock, orchestral pop, and cinematic balladry. Songs such as “End of the World,” “More to Lose,” “Easy Lover,” “Golden Burning Sun,” “Reborn,” and the title track are threaded together by interludes, creating a continuous narrative that is designed to be experienced alongside the film’s surreal, heavily stylized imagery.
Thematically, Something Beautiful centers on healing from trauma, existential dread, and the search for meaning in a “sick culture,” with Cyrus positioning music and visual fantasy as a kind of medicine for both herself and the listener. In interviews, she has linked the album to her journey through sobriety, vocal-cord issues, and a reorientation toward mental, physical, and emotional well‑being, which surfaces in lyrics that move between apocalyptic anxiety, romantic devotion, spiritual questioning, and radical self‑acceptance. Across the record, the tension between destruction and renewal—captured in titles like “End of the World” and “Reborn”—turns Something Beautiful into an expansive, genre-bending meditation on how to find light and “something beautiful” even at the edge of collapse.
Miley Cyrus’s Something Beautiful is her ninth studio album and a full-length visual project, released on May 30, 2025 via Columbia Records and accompanied by a musical film of the same name on June 6, 2025. Conceived as a concept/visual album in the lineage of works like Pink Floyd’s The Wall, it unfolds over 13 tracks (expanded on a later deluxe edition) as a kind of pop opera that blends psychedelic rock, orchestral pop, and cinematic balladry. Songs such as “End of the World,” “More to Lose,” “Easy Lover,” “Golden Burning Sun,” “Reborn,” and the title track are threaded together by interludes, creating a continuous narrative that is designed to be experienced alongside the film’s surreal, heavily stylized imagery.
Thematically, Something Beautiful centers on healing from trauma, existential dread, and the search for meaning in a “sick culture,” with Cyrus positioning music and visual fantasy as a kind of medicine for both herself and the listener. In interviews, she has linked the album to her journey through sobriety, vocal-cord issues, and a reorientation toward mental, physical, and emotional well‑being, which surfaces in lyrics that move between apocalyptic anxiety, romantic devotion, spiritual questioning, and radical self‑acceptance. Across the record, the tension between destruction and renewal—captured in titles like “End of the World” and “Reborn”—turns Something Beautiful into an expansive, genre-bending meditation on how to find light and “something beautiful” even at the edge of collapse.
Something Beautiful
Miley Cyrus
Miley Cyrus’s Something Beautiful is her ninth studio album and a full-length visual project, released on May 30, 2025 via Columbia Records and accompanied by a musical film of the same name on June 6, 2025. Conceived as a concept/visual album in the lineage of works like Pink Floyd’s The Wall, it unfolds over 13 tracks (expanded on a later deluxe edition) as a kind of pop opera that blends psychedelic rock, orchestral pop, and cinematic balladry. Songs such as “End of the World,” “More to Lose,” “Easy Lover,” “Golden Burning Sun,” “Reborn,” and the title track are threaded together by interludes, creating a continuous narrative that is designed to be experienced alongside the film’s surreal, heavily stylized imagery.
Thematically, Something Beautiful centers on healing from trauma, existential dread, and the search for meaning in a “sick culture,” with Cyrus positioning music and visual fantasy as a kind of medicine for both herself and the listener. In interviews, she has linked the album to her journey through sobriety, vocal-cord issues, and a reorientation toward mental, physical, and emotional well‑being, which surfaces in lyrics that move between apocalyptic anxiety, romantic devotion, spiritual questioning, and radical self‑acceptance. Across the record, the tension between destruction and renewal—captured in titles like “End of the World” and “Reborn”—turns Something Beautiful into an expansive, genre-bending meditation on how to find light and “something beautiful” even at the edge of collapse.
Miley Cyrus’s Something Beautiful is her ninth studio album and a full-length visual project, released on May 30, 2025 via Columbia Records and accompanied by a musical film of the same name on June 6, 2025. Conceived as a concept/visual album in the lineage of works like Pink Floyd’s The Wall, it unfolds over 13 tracks (expanded on a later deluxe edition) as a kind of pop opera that blends psychedelic rock, orchestral pop, and cinematic balladry. Songs such as “End of the World,” “More to Lose,” “Easy Lover,” “Golden Burning Sun,” “Reborn,” and the title track are threaded together by interludes, creating a continuous narrative that is designed to be experienced alongside the film’s surreal, heavily stylized imagery.
Thematically, Something Beautiful centers on healing from trauma, existential dread, and the search for meaning in a “sick culture,” with Cyrus positioning music and visual fantasy as a kind of medicine for both herself and the listener. In interviews, she has linked the album to her journey through sobriety, vocal-cord issues, and a reorientation toward mental, physical, and emotional well‑being, which surfaces in lyrics that move between apocalyptic anxiety, romantic devotion, spiritual questioning, and radical self‑acceptance. Across the record, the tension between destruction and renewal—captured in titles like “End of the World” and “Reborn”—turns Something Beautiful into an expansive, genre-bending meditation on how to find light and “something beautiful” even at the edge of collapse.