The Individualism Of Gil Evans
Gil Evans
The Individualism of Gil Evans is a landmark big-band jazz album by arranger, composer, pianist, and bandleader Gil Evans, originally released on Verve in 1964. Despite the title suggesting a solo showcase, it presents Evans in full command of a large ensemble recorded over 1963–64 sessions with producer Creed Taylor, and it stands as one of his few leader dates from the entire 1961–1968 period. The core LP featured four pieces—The Barbara Song, Las Vegas Tango, Flute Song/Hotel Me, and El Toreador—while later CD and streaming editions expand the program to nine tracks, adding Time of the Barracudas, Proclamation, Nothing Like You, Concorde, and Spoonful for a total runtime of about 67 minutes.
Musically, the album blends Evans’ originals and co-writes with Miles Davis (Time of the Barracudas and Flute Song/Hotel Me) with inspired arrangements of pieces by Kurt Weill and Bertolt Brecht (The Barbara Song), Bob Dorough and Fran Landesman (Nothing Like You), John Lewis (Concorde), and Willie Dixon (Spoonful), all refracted through his distinctive big-band lens. The ensemble is a who’s-who of early-’60s jazz: Johnny Coles, Steve Lacy, Jimmy Cleveland, Tony Studd, Bill Barber, Elvin Jones, and Paul Chambers form the core, with contributions from Eric Dolphy, Wayne Shorter, Phil Woods, Kenny Burrell, and others, producing an orchestral sound that is at once texturally rich and unusually spacious. Critics like Scott Yanow have called it “highly recommended” and lamented that Evans did not record more during this era, while later appraisals often refer to it as one of the greatest jazz albums of the 1960s and a hugely underrated pinnacle of his writing and orchestrating.
The Individualism Of Gil Evans
Gil Evans
The Individualism of Gil Evans is a landmark big-band jazz album by arranger, composer, pianist, and bandleader Gil Evans, originally released on Verve in 1964. Despite the title suggesting a solo showcase, it presents Evans in full command of a large ensemble recorded over 1963–64 sessions with producer Creed Taylor, and it stands as one of his few leader dates from the entire 1961–1968 period. The core LP featured four pieces—The Barbara Song, Las Vegas Tango, Flute Song/Hotel Me, and El Toreador—while later CD and streaming editions expand the program to nine tracks, adding Time of the Barracudas, Proclamation, Nothing Like You, Concorde, and Spoonful for a total runtime of about 67 minutes.
Musically, the album blends Evans’ originals and co-writes with Miles Davis (Time of the Barracudas and Flute Song/Hotel Me) with inspired arrangements of pieces by Kurt Weill and Bertolt Brecht (The Barbara Song), Bob Dorough and Fran Landesman (Nothing Like You), John Lewis (Concorde), and Willie Dixon (Spoonful), all refracted through his distinctive big-band lens. The ensemble is a who’s-who of early-’60s jazz: Johnny Coles, Steve Lacy, Jimmy Cleveland, Tony Studd, Bill Barber, Elvin Jones, and Paul Chambers form the core, with contributions from Eric Dolphy, Wayne Shorter, Phil Woods, Kenny Burrell, and others, producing an orchestral sound that is at once texturally rich and unusually spacious. Critics like Scott Yanow have called it “highly recommended” and lamented that Evans did not record more during this era, while later appraisals often refer to it as one of the greatest jazz albums of the 1960s and a hugely underrated pinnacle of his writing and orchestrating.