The Iron Mask

Christian Death

Sale - Sale price $20.99 CAD Regular price
Regular price $20.99 CAD
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Description

The Iron Mask is a 1992 studio album by Christian Death — billed specifically as "Christian Death featuring Rozz Williams" — released on May 29, 1992 via Cleopatra Records. The album represents a notable moment in the band's complicated history: following years of bitter conflict between Williams and Valor Kand over ownership of the Christian Death name, Williams reasserted his claim to the banner with this recording, reuniting with guitarist Eva O., bassist Listo, and drummer David Melford. Rather than presenting entirely new material, the album is largely built from re-recordings of songs drawn from Christian Death's first three classic albums — Only Theatre of Pain, Deathwish, and Catastrophe Ballet — with tracks like "Figurative Theatre," "Deathwish," "Cervix Couch," and "Luxury of Tears" revisited in a grittier, more stripped-back death rock style. A live cover of Gary Numan's "Down in the Park" serves as the sole non-original track, and a "Death Mix" alternate version of "Skeleton Kiss" rounds out the standard edition.

Critical reception has been mixed. Trouser Press noted that Williams sounds "strangely subdued throughout most of the gritty, trying-hard-to-be-ghastly material," suggesting the songs worked better in their original incarnations, while others in the goth and death rock community have warmed to it over time as a document of Williams's reclamation of his own legacy. Williams, who had co-founded Christian Death in Los Angeles in 1979 and was the creative force behind the genre-defining debut Only Theatre of Pain (1982), would continue to record and perform sporadically under the name until his death in 1998. For longtime fans, The Iron Mask occupies a specific and somewhat bittersweet place in the discography — a reaffirmation of origins from the band's founding voice, even if the re-recordings rarely surpass the power of what came before.

Details
detail icon barcode
Barcode :
0889466725524
detail icon publisher
Publisher :
Cleopatra Records
detail icon genre
Genre :
Rock/Pop
Product Dimensions
detail icon width
Length x Width x Height :
6 x 5.2 x 0.5 in
detail icon weight
Weight :
90 g

The Iron Mask

Christian Death

Sale - Sale price $20.99 CAD Regular price
Regular price $20.99 CAD
Sold Out
Shipping calculated at checkout.
Description

The Iron Mask is a 1992 studio album by Christian Death — billed specifically as "Christian Death featuring Rozz Williams" — released on May 29, 1992 via Cleopatra Records. The album represents a notable moment in the band's complicated history: following years of bitter conflict between Williams and Valor Kand over ownership of the Christian Death name, Williams reasserted his claim to the banner with this recording, reuniting with guitarist Eva O., bassist Listo, and drummer David Melford. Rather than presenting entirely new material, the album is largely built from re-recordings of songs drawn from Christian Death's first three classic albums — Only Theatre of Pain, Deathwish, and Catastrophe Ballet — with tracks like "Figurative Theatre," "Deathwish," "Cervix Couch," and "Luxury of Tears" revisited in a grittier, more stripped-back death rock style. A live cover of Gary Numan's "Down in the Park" serves as the sole non-original track, and a "Death Mix" alternate version of "Skeleton Kiss" rounds out the standard edition.

Critical reception has been mixed. Trouser Press noted that Williams sounds "strangely subdued throughout most of the gritty, trying-hard-to-be-ghastly material," suggesting the songs worked better in their original incarnations, while others in the goth and death rock community have warmed to it over time as a document of Williams's reclamation of his own legacy. Williams, who had co-founded Christian Death in Los Angeles in 1979 and was the creative force behind the genre-defining debut Only Theatre of Pain (1982), would continue to record and perform sporadically under the name until his death in 1998. For longtime fans, The Iron Mask occupies a specific and somewhat bittersweet place in the discography — a reaffirmation of origins from the band's founding voice, even if the re-recordings rarely surpass the power of what came before.

  • CD