Under My Umbrella
Miss Grit
Under My Umbrella is the second full-length album by Queens-based artist Miss Grit — the project of Margaret Sohn (they/she) — released on April 24, 2026, via Mute Records, following their 2023 debut Follow the Cyborg. The album grew directly out of a period of extensive solo touring across North America, during which Sohn drove alone across the continent and sought to channel the unrestrained, frenzied energy of live performance into a studio record. Recorded mostly in their Queens apartment and built deliberately from first takes and spontaneous eruptions rather than heavily edited refinement, the album was produced alongside Luciano Rossi, with collaborator Sae Heum Han — who has a background in film scoring — contributing to the textural depth, and Aron Kobayashi Ritch of Momma serving as mixing engineer. As Beats Per Minute describes it, the record is "the best representation of Sohn's multi-sonic perspective, a vibrant and affecting series of landscapes which form a loosely woven narrative filled with excitable stories of intimate revelations."
Across nine tracks and roughly 33 minutes, Under My Umbrella moves freely between orchestral lush textures, industrial techno, angular indie rock, trip-hop, and crunched noise, all anchored by Sohn's distinctive crooning voice and a maximalist, theatrical sensibility. The Skinny describes it as "pop without easy resolutions — dense compositions that often veer into leftfield territory," while Still Listening Magazine calls it "sculptural and sound-led, earnest nearly to the point of poetic indulgence." The album opens with the autotuned industrial epic "Tourist Mind," in which Sohn repeats "I've never wanted to be so alone" over pulsing strings and techno throb, and moves through standouts including the anxious "Mind Disaster," the trip-hop-influenced "Stranger," the dial-tone ballad "Won't Count On You," and the closer "Waste Me," which ends the record on a note of subdued but genuine acceptance. The Big Takeover notes that the album "treats emotional complexity as a landscape worth mapping in detail" — inward-looking and quietly confrontational in equal measure.
Under My Umbrella is the second full-length album by Queens-based artist Miss Grit — the project of Margaret Sohn (they/she) — released on April 24, 2026, via Mute Records, following their 2023 debut Follow the Cyborg. The album grew directly out of a period of extensive solo touring across North America, during which Sohn drove alone across the continent and sought to channel the unrestrained, frenzied energy of live performance into a studio record. Recorded mostly in their Queens apartment and built deliberately from first takes and spontaneous eruptions rather than heavily edited refinement, the album was produced alongside Luciano Rossi, with collaborator Sae Heum Han — who has a background in film scoring — contributing to the textural depth, and Aron Kobayashi Ritch of Momma serving as mixing engineer. As Beats Per Minute describes it, the record is "the best representation of Sohn's multi-sonic perspective, a vibrant and affecting series of landscapes which form a loosely woven narrative filled with excitable stories of intimate revelations."
Across nine tracks and roughly 33 minutes, Under My Umbrella moves freely between orchestral lush textures, industrial techno, angular indie rock, trip-hop, and crunched noise, all anchored by Sohn's distinctive crooning voice and a maximalist, theatrical sensibility. The Skinny describes it as "pop without easy resolutions — dense compositions that often veer into leftfield territory," while Still Listening Magazine calls it "sculptural and sound-led, earnest nearly to the point of poetic indulgence." The album opens with the autotuned industrial epic "Tourist Mind," in which Sohn repeats "I've never wanted to be so alone" over pulsing strings and techno throb, and moves through standouts including the anxious "Mind Disaster," the trip-hop-influenced "Stranger," the dial-tone ballad "Won't Count On You," and the closer "Waste Me," which ends the record on a note of subdued but genuine acceptance. The Big Takeover notes that the album "treats emotional complexity as a landscape worth mapping in detail" — inward-looking and quietly confrontational in equal measure.
Under My Umbrella
Miss Grit
Under My Umbrella is the second full-length album by Queens-based artist Miss Grit — the project of Margaret Sohn (they/she) — released on April 24, 2026, via Mute Records, following their 2023 debut Follow the Cyborg. The album grew directly out of a period of extensive solo touring across North America, during which Sohn drove alone across the continent and sought to channel the unrestrained, frenzied energy of live performance into a studio record. Recorded mostly in their Queens apartment and built deliberately from first takes and spontaneous eruptions rather than heavily edited refinement, the album was produced alongside Luciano Rossi, with collaborator Sae Heum Han — who has a background in film scoring — contributing to the textural depth, and Aron Kobayashi Ritch of Momma serving as mixing engineer. As Beats Per Minute describes it, the record is "the best representation of Sohn's multi-sonic perspective, a vibrant and affecting series of landscapes which form a loosely woven narrative filled with excitable stories of intimate revelations."
Across nine tracks and roughly 33 minutes, Under My Umbrella moves freely between orchestral lush textures, industrial techno, angular indie rock, trip-hop, and crunched noise, all anchored by Sohn's distinctive crooning voice and a maximalist, theatrical sensibility. The Skinny describes it as "pop without easy resolutions — dense compositions that often veer into leftfield territory," while Still Listening Magazine calls it "sculptural and sound-led, earnest nearly to the point of poetic indulgence." The album opens with the autotuned industrial epic "Tourist Mind," in which Sohn repeats "I've never wanted to be so alone" over pulsing strings and techno throb, and moves through standouts including the anxious "Mind Disaster," the trip-hop-influenced "Stranger," the dial-tone ballad "Won't Count On You," and the closer "Waste Me," which ends the record on a note of subdued but genuine acceptance. The Big Takeover notes that the album "treats emotional complexity as a landscape worth mapping in detail" — inward-looking and quietly confrontational in equal measure.
Under My Umbrella is the second full-length album by Queens-based artist Miss Grit — the project of Margaret Sohn (they/she) — released on April 24, 2026, via Mute Records, following their 2023 debut Follow the Cyborg. The album grew directly out of a period of extensive solo touring across North America, during which Sohn drove alone across the continent and sought to channel the unrestrained, frenzied energy of live performance into a studio record. Recorded mostly in their Queens apartment and built deliberately from first takes and spontaneous eruptions rather than heavily edited refinement, the album was produced alongside Luciano Rossi, with collaborator Sae Heum Han — who has a background in film scoring — contributing to the textural depth, and Aron Kobayashi Ritch of Momma serving as mixing engineer. As Beats Per Minute describes it, the record is "the best representation of Sohn's multi-sonic perspective, a vibrant and affecting series of landscapes which form a loosely woven narrative filled with excitable stories of intimate revelations."
Across nine tracks and roughly 33 minutes, Under My Umbrella moves freely between orchestral lush textures, industrial techno, angular indie rock, trip-hop, and crunched noise, all anchored by Sohn's distinctive crooning voice and a maximalist, theatrical sensibility. The Skinny describes it as "pop without easy resolutions — dense compositions that often veer into leftfield territory," while Still Listening Magazine calls it "sculptural and sound-led, earnest nearly to the point of poetic indulgence." The album opens with the autotuned industrial epic "Tourist Mind," in which Sohn repeats "I've never wanted to be so alone" over pulsing strings and techno throb, and moves through standouts including the anxious "Mind Disaster," the trip-hop-influenced "Stranger," the dial-tone ballad "Won't Count On You," and the closer "Waste Me," which ends the record on a note of subdued but genuine acceptance. The Big Takeover notes that the album "treats emotional complexity as a landscape worth mapping in detail" — inward-looking and quietly confrontational in equal measure.