Unshatter - Film Soundtrack (Live In São Paulo)

Linkin Park’s Unshatter – Film Soundtrack (Live in São Paulo) captures the band’s November 2024 performances in Brazil during the opening phase of their From Zero era. Released in September 2026 as the companion to Joe Hahn’s film Unshatter, the approximately 65-minute album comprises 16 live songs and four introductory or interlude tracks, including recordings not featured in the film. Its selection connects career-defining material such as “Somewhere I Belong,” “Papercut,” “Numb,” and “In the End” with newer songs including “The Emptiness Machine,” “Two Faced,” “Casualty,” and “Heavy Is the Crown.” Rather than documenting an entire concert, it presents a focused, career-spanning portrait of the band’s renewal.

The running order highlights the breadth of Linkin Park’s sound, moving from the electronic sweep of “The Catalyst” and “Waiting for the End” to the abrasive intensity of “Casualty” and the rapid-fire momentum of “Faint.” More reflective selections—including “Lost,” “Leave Out All the Rest,” and “Over Each Other”—balance the heavier passages, while “Bleed It Out” provides a forceful closing statement. Heard alongside the film’s account of loss, resilience, and creative reinvention, these performances connect the group’s established catalogue with its new chapter, making the soundtrack both a concert document and a musical counterpart to the story of starting over.

Linkin Park’s Unshatter – Film Soundtrack (Live in São Paulo) captures the band’s November 2024 performances in Brazil during the opening phase of their From Zero era. Released in September 2026 as the companion to Joe Hahn’s film Unshatter, the approximately 65-minute album comprises 16 live songs and four introductory or interlude tracks, including recordings not featured in the film. Its selection connects career-defining material such as “Somewhere I Belong,” “Papercut,” “Numb,” and “In the End” with newer songs including “The Emptiness Machine,” “Two Faced,” “Casualty,” and “Heavy Is the Crown.” Rather than documenting an entire concert, it presents a focused, career-spanning portrait of the band’s renewal.

The running order highlights the breadth of Linkin Park’s sound, moving from the electronic sweep of “The Catalyst” and “Waiting for the End” to the abrasive intensity of “Casualty” and the rapid-fire momentum of “Faint.” More reflective selections—including “Lost,” “Leave Out All the Rest,” and “Over Each Other”—balance the heavier passages, while “Bleed It Out” provides a forceful closing statement. Heard alongside the film’s account of loss, resilience, and creative reinvention, these performances connect the group’s established catalogue with its new chapter, making the soundtrack both a concert document and a musical counterpart to the story of starting over.